乌托邦艺术爱德华-霍珀的画作为何萦绕当下

IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Utopian Studies Pub Date : 2023-07-01 DOI:10.5325/utopianstudies.34.2.0350
Ali Rıza Taşkale
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引用次数: 0

摘要

摘要:马克-费舍尔(Mark Fisher)提出的 "无聊的乌托邦"(Bored dystopia)这一概念,描述了当代新自由主义社会中普遍存在的平庸和轻微的强制迹象。其特点是,由于自由市场原教旨主义和消费文化造成的社会联系枯竭,人们普遍感到无聊、平庸和完全疏离。作者认为,爱德华-霍珀的画作体现了这种乌托邦意识,因为它们描绘了荒芜的城市景观和孤立的人物,创造了一个人与人之间的联系和互动已经瓦解的社会愿景。COVID-19 大流行进一步凸显了新自由主义资本主义对同理心和同情心的侵蚀,这使得费舍尔呼吁采取集体行动、创建新形式的社区和团结变得更加迫切。爱德华-霍普的艺术作品提醒我们,我们已经生活在一个乌托邦中,正视这个乌托邦现实并想象未来的新可能性至关重要。
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Art of Dystopia: Why Edward Hopper Paintings Haunt the Present Moment
abstract:The concept of “boring dystopia,” a term coined by Mark Fisher, describes the banal and mildly coercive signs that are prevalent in contemporary neoliberal society. It is characterized by a pervasive sense of boredom, banality, and total alienation, which arises from the depletion of social connections caused by free-market fundamentalism and consumer culture. For the author, Edward Hopper’s paintings embody this sense of dystopia, as they depict deserted cityscapes and isolated figures, creating a vision of a society where human connection and interaction have broken down. The COVID-19 pandemic response has further highlighted the erosion of empathy and compassion under neoliberal capitalism, making Fisher’s call for collective action and the creation of new forms of community and solidarity even more urgent. Edward Hopper’s haunting art reminds us that we are already living in a dystopia, and that it is crucial to confront this dystopian reality and imagine new possibilities for the future.
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来源期刊
Utopian Studies
Utopian Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
27
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