{"title":"昆虫还是情感？约翰-阿什贝里的《好莱坞的达菲鸭》、戏剧独白和抒情理论","authors":"Eric Tyler Powell","doi":"10.1080/0950236x.2023.2288120","DOIUrl":null,"url":null,"abstract":"This article reads John Ashbery’s poem ‘Daffy Duck in Hollywood’ in relation to theories of the dramatic monologue and the lyric genre. I argue that the poem is meant to make the New Critical model...","PeriodicalId":45473,"journal":{"name":"TEXTUAL PRACTICE","volume":"23 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2024-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Insect or affect? John Ashbery's ‘Daffy Duck in Hollywood’, the dramatic monologue, and lyric theory\",\"authors\":\"Eric Tyler Powell\",\"doi\":\"10.1080/0950236x.2023.2288120\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article reads John Ashbery’s poem ‘Daffy Duck in Hollywood’ in relation to theories of the dramatic monologue and the lyric genre. I argue that the poem is meant to make the New Critical model...\",\"PeriodicalId\":45473,\"journal\":{\"name\":\"TEXTUAL PRACTICE\",\"volume\":\"23 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-01-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXTUAL PRACTICE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/0950236x.2023.2288120\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXTUAL PRACTICE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/0950236x.2023.2288120","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Insect or affect? John Ashbery's ‘Daffy Duck in Hollywood’, the dramatic monologue, and lyric theory
This article reads John Ashbery’s poem ‘Daffy Duck in Hollywood’ in relation to theories of the dramatic monologue and the lyric genre. I argue that the poem is meant to make the New Critical model...
期刊介绍：
Since its launch in 1987, Textual Practice has been Britain"s principal international journal of radical literary studies, continually pressing theory into new engagements. Today, as customary relations among disciplines and media are questioned and transformed, Textual Practice works at the turning points of theory with politics, history and texts. It is intrigued by the processes through which hitherto marginal cultures of ethnicity and sexuality are becoming conceptually central, and by the consequences of these diverse disturbances for educational and cultural institutions.
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