{"title":"不感兴趣的兴趣：奥利坡面对中国1","authors":"Yuhua Xia","doi":"10.1080/17409292.2024.2272525","DOIUrl":null,"url":null,"abstract":"Abstract This article aims to reveal and examine Oulipo’s engagement with China. While individual members like Michèle Métail and Raymond Queneau have seemingly contributed to the group’s affinity for China on a superficial level, a deeper analysis of the two Oulipism tendencies suggests this interest is fundamentally impersonal and detached. The essence of Oulipism means the group can never be fascinated by any single influence, even while remaining open to Chinese inspiration. Thus, Oulipo harbors what can be characterized as a disinterested interest in China—intrigued by its potential without becoming enthralled by it.","PeriodicalId":10546,"journal":{"name":"Contemporary French and Francophone Studies","volume":" 36","pages":"132 - 139"},"PeriodicalIF":0.2000,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Disinterested Interest: Oulipo Facing China1\",\"authors\":\"Yuhua Xia\",\"doi\":\"10.1080/17409292.2024.2272525\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article aims to reveal and examine Oulipo’s engagement with China. While individual members like Michèle Métail and Raymond Queneau have seemingly contributed to the group’s affinity for China on a superficial level, a deeper analysis of the two Oulipism tendencies suggests this interest is fundamentally impersonal and detached. The essence of Oulipism means the group can never be fascinated by any single influence, even while remaining open to Chinese inspiration. Thus, Oulipo harbors what can be characterized as a disinterested interest in China—intrigued by its potential without becoming enthralled by it.\",\"PeriodicalId\":10546,\"journal\":{\"name\":\"Contemporary French and Francophone Studies\",\"volume\":\" 36\",\"pages\":\"132 - 139\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary French and Francophone Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17409292.2024.2272525\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary French and Francophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17409292.2024.2272525","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
Abstract This article aims to reveal and examine Oulipo’s engagement with China. While individual members like Michèle Métail and Raymond Queneau have seemingly contributed to the group’s affinity for China on a superficial level, a deeper analysis of the two Oulipism tendencies suggests this interest is fundamentally impersonal and detached. The essence of Oulipism means the group can never be fascinated by any single influence, even while remaining open to Chinese inspiration. Thus, Oulipo harbors what can be characterized as a disinterested interest in China—intrigued by its potential without becoming enthralled by it.
期刊介绍：
An established journal of reference inviting all critical approaches on the latest debates and issues in the field, Contemporary French & Francophone Studies (formerly known as SITES) provides a forum not only for academics, but for novelists, poets, artists, journalists, and filmmakers as well. In addition to its focus on French and Francophone studies, one of the journal"s primary objectives is to reflect the interdisciplinary direction taken by the field and by the humanities and the arts in general. CF&FS is published five times per year, with four issues devoted to particular themes, and a fifth issue, “The Open Issue” welcoming non-thematic contributions.
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