{"title":"我们都来自索罗斯","authors":"Sanja Sekelj, Željka Tonković","doi":"10.1080/09528822.2023.2292897","DOIUrl":null,"url":null,"abstract":"Focusing on the period between 1994 and 2006, this study of the Soros Foundation and its spin-offs employs a mixed-method approach to explore the structure of the visual arts scene in Croatia and t...","PeriodicalId":45739,"journal":{"name":"Third Text","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘We all came from Soros’\",\"authors\":\"Sanja Sekelj, Željka Tonković\",\"doi\":\"10.1080/09528822.2023.2292897\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Focusing on the period between 1994 and 2006, this study of the Soros Foundation and its spin-offs employs a mixed-method approach to explore the structure of the visual arts scene in Croatia and t...\",\"PeriodicalId\":45739,\"journal\":{\"name\":\"Third Text\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-01-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Third Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09528822.2023.2292897\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Third Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09528822.2023.2292897","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Focusing on the period between 1994 and 2006, this study of the Soros Foundation and its spin-offs employs a mixed-method approach to explore the structure of the visual arts scene in Croatia and t...
期刊介绍：
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.
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