安提阿语中的一种口头诗歌体裁--"范恩":关于形式和表演实践的评论

Pub Date : 2024-01-19 DOI:10.1093/jss/fgad048
Mahmut Ağbaht, Martin Greve
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引用次数: 0

摘要

范恩是土耳其安蒂奥克/哈塔伊省阿拉维社区的一种阿拉伯语口头诗歌体裁。直到最近,学术文献中还很少提及这种体裁。这种体裁的诗歌形式和节奏结构基本固定,而且几乎总是以类似的方式进行表演;至于声音的质量,包括或多或少清晰的旋律形状,则更多地取决于表演者。在表演过程中,节奏元素主导着旋律的本质。与该地区相关体裁的初步比较表明,范恩的形式和表演实践与阿拉伯邻国的体裁相似。比较还发现,它与邻近地区的土耳其和库尔德歌诗传统几乎没有任何联系。只有最近的变化表明受到了当代土耳其音乐的影响。
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The Fann, a Genre of Oral Poetry in Antiochian Arabic: Remarks on Form and Performance Practice
The fann is a genre of oral poetry in the vernacular Arabic of the Alawi community in the Antioch/Hatay province of Turkey. Until recently, it has hardly been mentioned in academic literature. Poetic form and rhythm structure are largely fixed in this genre and it is almost always performed in a similar way; when it comes to the quality of the voice, including a more or less clear melodic shape, there is more left up to the performer. During performances, the rhythmical element dominates the essence of melodic aspects. A preliminary comparison with related genres in the region demonstrates that both the form and performance practice of fann resemble genres in neighbouring Arab countries. Comparison also finds that there is hardly any connection with any Turkish and Kurdish singer-poem tradition as practised in nearby regions. Only recent changes indicate influences from contemporary Turkish music.
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