{"title":"积极的男子气概还是有毒的积极性?Apple TV+ 的 Ted Lasso 是资本主义乌托邦","authors":"Alexander Hudson Beare, Robert Boucaut","doi":"10.1177/17496020241228162","DOIUrl":null,"url":null,"abstract":"Ted Lasso (2020-present) follows American Football coach, Ted Lasso, as he transforms the waning English Premier League team, AFC Richmond, through his relentless optimism and his mantra of ‘believe’. The show has been praised by critics for its emphasis on kindness and particularly for its exploration of ‘positive’ and ‘vulnerable’ masculinities. It is placed front and centre not just in promotion for Apple TV+ but also for the broader Apple brand which is heavily integrated into the show’s storyworld. Through a textual analysis of the series, this article critically examines Ted Lasso’s representations of masculinity and homophobia within the context of professional football. We argue that Ted Lasso subtly replicates the corporate identity of Apple in which real-world issues are selectively harnessed and distorted to create a utopic world-vision. Despite a celebrated veneer of ‘positive masculinities’ the show still exists in service of a sporting culture that is overtly steeped in hypermasculinity. Instead of challenging sports-based homophobia as it exists in the real-world, the show minimizes its existence at the (almost total) expense of including gay characters and storylines. In ‘dismantling’ toxic masculinity through such shallow means, we contend that Ted Lasso is ultimately symptomatic of a show sublimating its narrative wants to Apple’s corporate needs.","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":"88 19","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Positive masculinity or toxic positivity? Apple TV+’s Ted Lasso as a capitalist utopia\",\"authors\":\"Alexander Hudson Beare, Robert Boucaut\",\"doi\":\"10.1177/17496020241228162\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Ted Lasso (2020-present) follows American Football coach, Ted Lasso, as he transforms the waning English Premier League team, AFC Richmond, through his relentless optimism and his mantra of ‘believe’. The show has been praised by critics for its emphasis on kindness and particularly for its exploration of ‘positive’ and ‘vulnerable’ masculinities. It is placed front and centre not just in promotion for Apple TV+ but also for the broader Apple brand which is heavily integrated into the show’s storyworld. Through a textual analysis of the series, this article critically examines Ted Lasso’s representations of masculinity and homophobia within the context of professional football. We argue that Ted Lasso subtly replicates the corporate identity of Apple in which real-world issues are selectively harnessed and distorted to create a utopic world-vision. Despite a celebrated veneer of ‘positive masculinities’ the show still exists in service of a sporting culture that is overtly steeped in hypermasculinity. Instead of challenging sports-based homophobia as it exists in the real-world, the show minimizes its existence at the (almost total) expense of including gay characters and storylines. In ‘dismantling’ toxic masculinity through such shallow means, we contend that Ted Lasso is ultimately symptomatic of a show sublimating its narrative wants to Apple’s corporate needs.\",\"PeriodicalId\":516135,\"journal\":{\"name\":\"Critical Studies in Television: The International Journal of Television Studies\",\"volume\":\"88 19\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Studies in Television: The International Journal of Television Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/17496020241228162\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television: The International Journal of Television Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020241228162","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
泰德-拉索》(2020 年至今)讲述了美式足球教练泰德-拉索通过不懈的乐观主义和他的口头禅 "相信",改变了日渐衰落的英超球队 AFC 里士满。该剧因其对善良的强调,尤其是对 "积极 "和 "脆弱 "男性形象的探索而受到评论界的好评。该剧不仅在 Apple TV+ 的宣传中被置于前沿和中心位置,而且还将更广泛的苹果品牌与该剧的故事世界紧密结合在一起。本文通过对该剧的文本分析,批判性地审视了《泰德-拉索》在职业足球背景下对男性气质和同性恋恐惧症的表现。我们认为,《泰德-拉索》巧妙地复制了苹果公司的企业形象,现实世界中的问题被选择性地利用和扭曲,以创造一个乌托邦式的世界愿景。尽管该节目披着 "积极男性 "的外衣,但它的存在仍然是为了服务于体育文化,而体育文化则公然充斥着超男性气质。该剧没有挑战现实世界中存在的基于体育的同性恋恐惧症,而是以(几乎完全)牺牲同性恋角色和故事情节为代价,将其存在的可能性降到最低。我们认为,《泰德-拉索》通过这种肤浅的方式 "瓦解 "了有毒的男性气质,最终表明该剧的叙事诉求升华为苹果公司的企业需求。
Positive masculinity or toxic positivity? Apple TV+’s Ted Lasso as a capitalist utopia
Ted Lasso (2020-present) follows American Football coach, Ted Lasso, as he transforms the waning English Premier League team, AFC Richmond, through his relentless optimism and his mantra of ‘believe’. The show has been praised by critics for its emphasis on kindness and particularly for its exploration of ‘positive’ and ‘vulnerable’ masculinities. It is placed front and centre not just in promotion for Apple TV+ but also for the broader Apple brand which is heavily integrated into the show’s storyworld. Through a textual analysis of the series, this article critically examines Ted Lasso’s representations of masculinity and homophobia within the context of professional football. We argue that Ted Lasso subtly replicates the corporate identity of Apple in which real-world issues are selectively harnessed and distorted to create a utopic world-vision. Despite a celebrated veneer of ‘positive masculinities’ the show still exists in service of a sporting culture that is overtly steeped in hypermasculinity. Instead of challenging sports-based homophobia as it exists in the real-world, the show minimizes its existence at the (almost total) expense of including gay characters and storylines. In ‘dismantling’ toxic masculinity through such shallow means, we contend that Ted Lasso is ultimately symptomatic of a show sublimating its narrative wants to Apple’s corporate needs.