{"title":"尤瑟夫-拉蒂夫、伊斯兰教和爵士乐","authors":"Eddie S. Meadows","doi":"10.1080/17411912.2023.2301644","DOIUrl":null,"url":null,"abstract":"A notable characteristic of the jazz scene of 1940s–1960s North America was the large number of African American musicians who converted to Islam. Focusing on the case of the jazz saxophonist and s...","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"46 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Yusef Lateef, Islam, and jazz\",\"authors\":\"Eddie S. Meadows\",\"doi\":\"10.1080/17411912.2023.2301644\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A notable characteristic of the jazz scene of 1940s–1960s North America was the large number of African American musicians who converted to Islam. Focusing on the case of the jazz saxophonist and s...\",\"PeriodicalId\":43942,\"journal\":{\"name\":\"Ethnomusicology Forum\",\"volume\":\"46 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-02-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ethnomusicology Forum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17411912.2023.2301644\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ethnomusicology Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17411912.2023.2301644","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
A notable characteristic of the jazz scene of 1940s–1960s North America was the large number of African American musicians who converted to Islam. Focusing on the case of the jazz saxophonist and s...
期刊介绍：
Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.
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