克拉里-阿尔德林根家族收藏的两本十六世纪和十七世纪早期伦巴第大师的画册

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Journal of the History of Collections Pub Date : 2024-02-09 DOI:10.1093/jhc/fhae003
Eliška Zlatohlávková, Martin Zlatohlávek
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引用次数: 0

摘要

文艺复兴时期(十六世纪和十七世纪初)伦巴第大师的两本图画集现收藏在捷克共和国和斯洛伐克的博物馆中,是波希米亚十七世纪最珍贵的图画收藏之一。这些图画显然最初是安东尼奥-玛丽亚-维亚尼(Antonio Maria Viani,1555/60-1630 年)的财产,但目前仍无法确定是谁在 1676 年之前的某个时间收集了这些图画并将其粘贴到这两本画册中,也无法确定这些图画是如何落入克拉里-阿尔德林根家族手中的。本文旨在追溯自 1676 年以来克拉里-奥尔德林根家族所拥有的这一非凡藏品的记录,以及 1945 年之后的命运。虽然其中一本画册后来被肢解,组成图纸的处理方式也各不相同,但我们还是能够追溯到几乎全部的收藏。
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Two albums of drawings by Lombard masters of the sixteenth and early seventeenth centuries, from the estate of the Clary-Aldringen family
Two albums of drawings by Lombard masters of the Renaissance period (sixteenth and early seventeenth centuries), the contents of which are now in museums in the Czech Republic and Slovakia, constitute one of the most valuable collections of drawings preserved in Bohemia from the seventeenth century. Apparently originally the property of Antonio Maria Viani (1555/60–1630), it remains impossible to identify with certainty who collected the drawings at some time before 1676 and pasted them into the two albums, or how they came to be in the possession of the Clary-Aldringen family, from whose hands they eventually passed into public ownership. The aim of this article is to trace the records of this extraordinary collection in the possession of the Clary-Aldringen family since 1676, and its fate after 1945. While one of the albums was later dismembered and the constituent drawings were variously treated, we have been able to trace almost the whole of this collection.
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来源期刊
Journal of the History of Collections
Journal of the History of Collections HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
43
期刊介绍: The Journal of the History of Collections is dedicated to providing the clearest insight into all aspects of collecting activity. For centuries collecting has been the pursuit of princes and apothecaries, scholars and amatuers alike. Only recently, however, has the study of collections and their collectors become the subject of great multidisciplinary interest. The range of the Journal of the History of Collections embraces the contents of collections, the processes which initiated their formation, and the circumstances of the collectors themselves. As well as publishing original papers, the Journal includes listings of forthcoming events, conferences, and reviews of relevant publications and exhibitions.
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