里盖蒂与艺术研究

IF 0.1 3区 艺术学 Q4 Arts and Humanities Studia Musicologica Pub Date : 2024-02-01 DOI:10.1556/6.2023.00008
Wolfgang Marx
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引用次数: 0

摘要

捷尔吉-里盖蒂(György Ligeti)对许多艺术和科学领域都非常感兴趣,并从中汲取创作灵感(他对数学--尤其是分形几何和混沌理论--的研究可能是最著名的)。在本章中,我将艺术研究的概念与李盖蒂的实践和作品进行比较。虽然艺术研究的概念在利盖蒂职业生涯的后期才以雏形出现,但他的许多--尽管不是全部--言论似乎都适合用来描述他的艺术创作过程。这项研究预计会带来两方面的益处:将艺术研究的概念应用于李盖蒂的创作方法和实践,应该会对他的作品与他对其他人文和科学的兴趣之间的关系产生新的见解。然而,对李盖蒂的研究也可能有助于完善艺术研究的概念,因为这一概念已被讨论并应用于当今的艺术成果。
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Ligeti and Artistic Research
György Ligeti was very interested in many artistic and scientific fields and drew inspiration for his compositional work from them (his engagement with mathematics – particularly fractal geometry and chaos theory – is perhaps the best known). In this chapter I compare the concept of artistic research with Ligeti's practice and oeuvre. While the notion of artistic research was only appearing in embryonic form during the latter stages of Ligeti's career, many – though not all – of his statements seem to be suitable for describing his artistic processes. The benefit of this investigation is expected to be twofold: applying the concept of artistic research to Ligeti's approaches and practices should yield new insights on the relationship between his work and his interest in other humanities and sciences. Yet this look at Ligeti may also help to refine the concept of artistic research as discussed and applied to the artistic output of today.
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Studia Musicologica
Studia Musicologica Arts and Humanities-Music
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