Attempted Indigenous Erasure and Frontier Gothic in Arrival (2016)

In the process of adapting a written narrative for the silver screen, there is much that can be lost (or gained) in translation. Arrival, Denis Villeneuve’s adaption of Ted Chiang’s Story of Your Life, is no exception. Often analyzed as a work of science fiction, this article argues that understanding Arrival as a work of the frontier gothic renders the attempted erasure of Indigenous presence in the film visible. The frontier gothic elements of Arrival, most prominently the transformation of Chiang’s protagonist, Louise, into a frontier hero(ine), and the looming Montana setting, both evoke and attempt to erase the Indigenous presence in this “frontier”. As a frontier hero, Louise ultimately supersedes the aliens of Arrival, absorbing and appropriating their knowledge and language to save the world (and the superiority of the United States).