"这里的自然......已成为音乐":捷尔吉-里盖蒂与(音乐)自然

IF 0.1 3区 艺术学 Q4 Arts and Humanities Studia Musicologica Pub Date : 2024-02-01 DOI:10.1556/6.2023.00010
Ewa Schreiber
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引用次数: 0

摘要

这篇文章不仅追溯了利盖蒂著作中对自然和自然主义(被理解为试图将艺术建立在自然现象的基础上并使之合法化)的引用,还选取了他作品中的一些方面。这里对自然的引用有多种表现形式,既有浪漫主义的自然描绘,也有新近的现代主义手法。自然的概念与人类情感的浪漫背景、科学规律的发现、聆听音景、听觉感知现象以及声音的光谱探索相关联。尽管大自然并不是利盖蒂的核心战略概念,但在他的作品中,大自然始终是一个恒定的背景,即使是隐蔽的背景,也是一个参照点。
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“Die Natur ist hier … zu Musik geworden”: György Ligeti and (Musical) Nature
This article traces references to nature and naturalism (understood as an attempt to ground and legitimize art in natural phenomena) in Ligeti's writings, but also in selected aspects of his oeuvre. The references to nature recur here in various manifestations, with romantic depictions of nature appearing alongside more recent, modernist approaches. The concept of nature is associated with the romantic setting for human emotions, with the discovery of scientific laws, with listening to soundscape, with phenomena of auditory perception and with the spectral explorations of sound. Although nature is not a central, strategic concept for Ligeti, it remains a constant, even if hidden, context for his work, a point of reference.
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来源期刊
Studia Musicologica
Studia Musicologica Arts and Humanities-Music
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For the Honorary Doctorate of Sir John Eliot Gardiner “Some Sort of Machine without a Body” “Breughelland”: Subverting the Antinomy of Utopia and Dystopia The Hybrid Musical Landscape of Ligeti's Late Concertos “Die Natur ist hier … zu Musik geworden”: György Ligeti and (Musical) Nature
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