托尔斯泰作品《哈吉-穆拉特》中的苏菲一瞥

Francesco Alfonso Leccese
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摘要

文学作品往往是了解特定历史事件文化框架的起点。托尔斯泰的长篇小说《哈吉-穆拉特》(1912 年在死后出版)就是如此。通过分析这部作品,我们可以捕捉到作者在表现高加索抵抗运动时的苏菲层面,因此这部小说可以被视为揭示高加索社会隐藏的苏菲遗产的工具。然而,托尔斯泰所描述的高加索抵抗运动主要人物的宗教实践,以及与之相关的一些具体的阿拉伯语术语,通过苏菲的特殊制度和宗教仪式,代表了苏菲在 19 世纪高加索社会中留下的印记,尽管这种印记并不为人所知。
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Sufi Glimpses in the Representation of Tolstoy’s Hadji Murat
Literature, not infrequently, provides a starting point to learn about the cultural framework of specific historical events. It is the case of Tolstoy’s novel Hadji Murat (published posthumously in 1912). By analysing this work, we can catch a Sufi dimension in the author’s representation of the Caucasian resistance movement, so the novel can be seen as a tool that brings out the hidden Sufi heritage of the Caucasian society. As a matter of fact, the words Sufi or Sufism are never mentioned in the novel, even though, from a peculiar historical prospective, the Sufi characterization of this resistance movement is a well-known fact. Yet, the religious practices of the main characters of the Caucasian resistance described by Tolstoy, as well as some specific Arabic terms related to them, represent a clear, albeit unaware, echo of a Sufi imprinting, through Sufism’s peculiar institutions and religious rituals, on the 19th century Caucasian society.
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