{"title":"启示录时代的汽车流动:海滩上、核怀旧和原子(非)移动性","authors":"Christopher O'Hara","doi":"10.14324/111.444.1755-4527.1771","DOIUrl":null,"url":null,"abstract":"In the 1966 animated short film What on Earth!, viewers are presented with a news-reel styled broadcast—ostensibly from the ‘National Film Board of Mars’—detailing Martians’ first glimpses of alien life on Earth. As a car enters from the right, the narrator announces: ‘And then, the big news: there is life on Earth!’ The ‘cameras on our orbiting spaceship’ then follow these Earthlings through their daily rituals: ‘at dinner’ (fuelling with petrol), taking ‘shelter for the night’ (parking in a garage), and ‘browsing in curiously designed libraries’ (driving through a region inundated with billboards). Yet this colourful, comedic, slightly surreal animation takes a sinister turn towards its end as we glimpse the human occupants of the vehicle for the first time.","PeriodicalId":517017,"journal":{"name":"Movement","volume":"79 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Automobility in the Age of Apocalypse: On the Beach, Nuclear Nostalgia, and Atomic (Im)Mobilities\",\"authors\":\"Christopher O'Hara\",\"doi\":\"10.14324/111.444.1755-4527.1771\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the 1966 animated short film What on Earth!, viewers are presented with a news-reel styled broadcast—ostensibly from the ‘National Film Board of Mars’—detailing Martians’ first glimpses of alien life on Earth. As a car enters from the right, the narrator announces: ‘And then, the big news: there is life on Earth!’ The ‘cameras on our orbiting spaceship’ then follow these Earthlings through their daily rituals: ‘at dinner’ (fuelling with petrol), taking ‘shelter for the night’ (parking in a garage), and ‘browsing in curiously designed libraries’ (driving through a region inundated with billboards). Yet this colourful, comedic, slightly surreal animation takes a sinister turn towards its end as we glimpse the human occupants of the vehicle for the first time.\",\"PeriodicalId\":517017,\"journal\":{\"name\":\"Movement\",\"volume\":\"79 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-02-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Movement\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14324/111.444.1755-4527.1771\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Movement","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14324/111.444.1755-4527.1771","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在 1966 年的动画短片《地球上有什么!》(What on Earth!当一辆汽车从右侧驶入时,解说员宣布:随后,"我们轨道飞船上的摄像机 "跟随这些地球人的日常活动:"吃晚饭"(加油)、"过夜"(在车库停车)、"浏览设计奇特的图书馆"(驾车穿过广告牌林立的地区)。然而,这部色彩斑斓、充满喜剧色彩、略带超现实色彩的动画片在结尾处却出现了险恶的转折,因为我们第一次看到了车内的人类。
Automobility in the Age of Apocalypse: On the Beach, Nuclear Nostalgia, and Atomic (Im)Mobilities
In the 1966 animated short film What on Earth!, viewers are presented with a news-reel styled broadcast—ostensibly from the ‘National Film Board of Mars’—detailing Martians’ first glimpses of alien life on Earth. As a car enters from the right, the narrator announces: ‘And then, the big news: there is life on Earth!’ The ‘cameras on our orbiting spaceship’ then follow these Earthlings through their daily rituals: ‘at dinner’ (fuelling with petrol), taking ‘shelter for the night’ (parking in a garage), and ‘browsing in curiously designed libraries’ (driving through a region inundated with billboards). Yet this colourful, comedic, slightly surreal animation takes a sinister turn towards its end as we glimpse the human occupants of the vehicle for the first time.