关于生存

IF 0.6 1区 艺术学 0 MUSIC ETHNOMUSICOLOGY Pub Date : 2024-02-01 DOI:10.5406/21567417.68.1.03
P. V. Bohlman
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引用次数: 0

摘要

作为我 2022 年查尔斯-西格讲座的扩展,"论生存 "是对民族音乐学历史上继 COVID-19 大流行和全球种族自我救赎的激烈反应之后的一系列反思。在探讨民族音乐学作为一个领域的共同关注点和实践的同时,我并没有提出新的理论或方法,而是主张该领域的统一性,而不是将各种方法分隔成不同的子学科。当前民族音乐学的共同点,就像民族音乐学家现在回归的过去的共同点一样,在于对伦理实践和道德目的的根本关注。在整篇文章中,我引用了一些案例研究,其中许多来自于我自己的民族学和历史学工作,特别是我对纳粹浩劫音乐的研究和表演,以此宣称民族音乐学和道德哲学领域之间的亲和力。这些亲和力源于对生存的道德层面的共同参与:创伤、哀悼、跨越边界、善、在人类世与他人共处、超越。视频剪辑请点击此处: https://files.press.uillinois.edu/journals/supplemental/ethno/seeger_lecture/
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On Survival
An expansion of my 2022 Charles Seeger Lecture, “On Survival” unfolds as a set of reflections on the moment in the history of ethnomusicology that has followed intense periods of response to the COVID-19 pandemic and of racial self-reckoning worldwide. While examining common concerns and practices for ethnomusicology as a field, I do not propose a new theory or method, but rather I argue for the unity of the field rather than the separation of approaches into subdisciplines. The common ground of the present ethnomusicological moment, like that of the past to which ethnomusicologists now return, lies in a fundamental concern for ethical practice and moral purpose. Throughout the article, I draw upon case studies, many from my own ethnographic and historical work, especially from my research in and performances of music of the Shoah, to claim affinity between the fields of ethnomusicology and moral philosophy. These affinities emerge from common engagement with the moral dimensions of survival: trauma, mourning, border crossing, goodness, cohabitation with others in the Anthropocene, transcendence. The video clips are available here: https://files.press.uillinois.edu/journals/supplemental/ethno/seeger_lecture/
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来源期刊
CiteScore
1.30
自引率
14.30%
发文量
30
期刊介绍: As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.
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