"我们的旗叶环绕世界":芭芭拉-史密斯和太平洋托管领土的主权之声,1958-1964 年

IF 0.6 1区 艺术学 0 MUSIC ETHNOMUSICOLOGY Pub Date : 2024-02-01 DOI:10.5406/21567417.68.1.04
Brian Diettrich
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引用次数: 0

摘要

本文探讨了芭芭拉-史密斯(Barbara B. Smith)在联合国太平洋岛屿托管领土(前美国管理的密克罗尼西亚地区)录制的歌曲和舞蹈。文章探讨了史密斯在 20 世纪 50 年代末和 1960 年代初与夏威夷密克罗尼西亚人的合作,以及她 1963-1964 年在托管领土各地开展的录音项目。通过探讨密克罗尼西亚人在当时政治机制中的声音,文章研究了民族音乐学与美国对太平洋的殖民统治之间的纠葛。我将 1963-1964 年的录音作为这一时期的窗口,倾听从这些历史再现中发出的土著自治之声。我认为,20 世纪 60 年代密克罗尼西亚民族音乐学更广泛的贡献在于主权声音的声音编年史,其中各社区共同歌唱,并回顾了美国在太平洋的殖民干预。
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“The Leaves of Our Flag Surrounding the World”: Barbara B. Smith and the Sovereign Voices of a Pacific Trust Territory, 1958–1964
This article explores the songs and dances recorded by Barbara B. Smith in the United Nations Trust Territory of the Pacific Islands, the former US-administered region of Micronesia. The article examines Smith's collaborations with Micronesians in Hawai‘i in the late 1950s and early 1960 as well as her 1963–1964 recording project undertaken across the Trust Territory. In exploring Micronesian voices within the political machinations of the time, the article investigates the entanglement of ethnomusicology within the American colonial administration of the Pacific. With the 1963–1964 recordings as a window into this period, I listen for Indigenous autonomy that sounds out from these historical reproductions. I contend that the broader contribution of 1960s ethnomusicology in Micronesia lies in the sonic chronicle of sovereign voices, in which communities sang together and past American colonial interventions in the Pacific.
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来源期刊
CiteScore
1.30
自引率
14.30%
发文量
30
期刊介绍: As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.
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