通过情感同性社会货币将男性圈的厌女症主流化:探索青少年如何驾驭安德鲁-泰特效应

IF 5.5 1区 文学 Q1 COMMUNICATION Social Media + Society Pub Date : 2024-02-26 DOI:10.1177/20563051241228811
Craig Haslop, Jessica Ringrose, Idil Cambazoglu, Betsy Milne
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引用次数: 0

摘要

2022 年夏天,安德鲁-泰特(Andrew Tate)成为媒体、家长和教育领导者关注的焦点,因为他的性别歧视和厌恶女性的社交媒体内容受到了年轻人,尤其是男孩的欢迎。为了探究泰特的吸引力,我们对泰特的视频进行了话语和内容分析,并对英国伦敦 13-14 岁的男孩进行了小型焦点小组研究。我们发现,泰特除了以显而易见的方式宣扬男性对女性 "他人 "的统治外,其内容还将厌恶女性的 "男人圈 "意识形态主流化。此外,泰特还利用男孩对经济前景和在霸权男性结构中的地位的恐惧,同时将自己塑造成一个特立独行但又真实可信的人物,在他编造的恐惧背景下,通过有关约会和创业技能的建议为他们带来希望。我们强调了在社交媒体的情感和注意力经济中,这些套路是如何支持泰特的商业模式的。通过焦点小组分析,我们展示了这些套路如何成为男孩们强有力的同性社交货币,包括他们如何将泰特的内容视为幽默。在此过程中,我们提出了新的理论观点,即情绪和情感如何在数字和非数字空间中作为同社会货币发挥作用,从而重塑霸权男性气质并使厌女症正常化。最后,我们建议,与其攻击泰特的信息(这可能与泰特特立独行的身份有关),不如为年轻人提供批判性的数字扫盲教育,帮助他们了解泰特和像他这样的有影响力者的商业模式,以及他们是如何以性别化的形式兜售虚假信息的。
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Mainstreaming the Manosphere’s Misogyny Through Affective Homosocial Currencies: Exploring How Teen Boys Navigate the Andrew Tate Effect
During the summer of 2022, Andrew Tate became a focus of concern for the media, parents, and educational leaders as his sexist and misogynistic social media content became popular with young people, especially boys. To explore Tate’s appeal, we conducted a discourse and content analysis of Tate’s videos and a small focus group study with boys aged 13–14 from London (United Kingdom). We found that apart from the obvious ways that Tate promotes men’s domination of feminine “others,” his content also mainstreams misogynistic “manosphere” ideologies. Moreover, Tate plays on boy’s fears about their economic futures and place in the structures of hegemonic masculinity while stylising himself as a maverick, but authentic figure who—against the context of his concocted fears—offers hope through advice about dating and entrepreneurial skills. We highlight how these tropes support Tate’s business model in the affective and attention economies of social media. Through focus group analysis, we show how these tropes are potent homosocial currencies for boys, including their conceptions of Tate’s content as humorous. In so doing, we contribute new theoretical perspectives on the way emotion and affect can work as homosocial currencies across digital and non-digital spaces to reify hegemonic masculinity and normalize misogyny. We conclude by suggesting that rather than attacking Tate’s messages which might play into Tate’s maverick identity, we should offer young people critical digital literacy education that helps them understand the business models of Tate, and influencers like him, and how they peddle in forms of gendered disinformation.
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来源期刊
Social Media + Society
Social Media + Society COMMUNICATION-
CiteScore
9.20
自引率
3.80%
发文量
111
审稿时长
12 weeks
期刊介绍: Social Media + Society is an open access, peer-reviewed scholarly journal that focuses on the socio-cultural, political, psychological, historical, economic, legal and policy dimensions of social media in societies past, contemporary and future. We publish interdisciplinary work that draws from the social sciences, humanities and computational social sciences, reaches out to the arts and natural sciences, and we endorse mixed methods and methodologies. The journal is open to a diversity of theoretic paradigms and methodologies. The editorial vision of Social Media + Society draws inspiration from research on social media to outline a field of study poised to reflexively grow as social technologies evolve. We foster the open access of sharing of research on the social properties of media, as they manifest themselves through the uses people make of networked platforms past and present, digital and non. The journal presents a collaborative, open, and shared space, dedicated exclusively to the study of social media and their implications for societies. It facilitates state-of-the-art research on cutting-edge trends and allows scholars to focus and track trends specific to this field of study.
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