专业和业余芭蕾舞者在穿足尖鞋表演单个踢腿时身体协调的侧向性。

IF 0.9 4区 医学 Q3 MEDICINE, GENERAL & INTERNAL Medical problems of performing artists Pub Date : 2024-03-01 DOI:10.21091/mppa.2024.1002
Yurina Tsubaki, Yui Kawano, Cheng-Feng Lin, Mayumi Kuno-Mizumura
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引用次数: 0

摘要

目的侧向偏好导致的肌肉力量协调失衡可能是舞蹈演员受伤的一个风险因素。芭蕾舞中的基本转体(回旋),由于其侧向不对称,姿势控制是必不可少的。与穿平底鞋跳舞相比,穿足尖鞋跳舞对动作幅度、肌肉力量和平衡控制的要求更高,因此足尖鞋可能会进一步增加风险,导致回旋时优先腿和非优先腿之间的不平衡。在这项研究中,我们考察了专业芭蕾舞者和经验丰富的业余芭蕾舞者在穿足尖鞋进行单个回旋时的横向差异,以了解回旋时横向平衡控制所涉及的多种因素:方法:8 名女性专业芭蕾舞者和 7 名女性业余芭蕾舞者分别穿着足尖鞋在优先侧和非优先侧进行单个回旋。为了了解单侧回旋中的身体协调横向性,我们对回旋过程中的躯干、髋关节、膝关节、踝关节角度和质心-压力中心倾斜角时间框架数据进行了统计参数映射,分为三个阶段:双腿转身(第一阶段)、单腿转身(第二阶段)和单腿完成转身(第三阶段)。此外,在第 2 和第 3 阶段,还计算了脚未接触地面时的跳起时间百分比:结果:两组选手的躯干和下肢角度没有横向差异。专业舞者在动作开始时(第 1 阶段)左转时略微倾向于站立腿,第 2 阶段的上跳时间较长,而业余舞者在左转时(第 1 和第 2 阶段)倾向于前倾,第 3 阶段的上跳时间较长:值得注意的是,COP-COM 的倾斜角度会通过起跳进行调整,这导致专业和业余舞者在穿足尖鞋进行单个回旋时出现横向差异。这项研究强调了在监测穿足尖鞋的回旋动作时需要考虑的侧向因素。
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Laterality in Body Coordination of Professional and Amateur Ballet Dancers While Performing a Single Pirouette with Pointe Shoes.

Objective: Imbalances in muscle strength coordination owing to lateral preference may be a risk factor for injury in dancers. Postural control is essential for the basic turn in ballet (pirouette), owing to its lateral asymmetry. Since dance with pointe shoes demands greater range of motion, muscle strength, and balance control compared to dancing with flat shoes, pointe shoes may further add to the risk and cause an imbalance between the preferred and non-preferred legs during pirouette. In this study, we examined lateral differences in professional and experienced amateur ballet dancers during single pirouettes with pointe shoes to understand the multiple elements involved in lateral balance control in pirouettes.

Methods: Eight female professionals and seven female amateur ballet dancers performed single pirouettes in pointe shoes on both the preferred and non-preferred sides. To understand the body coordination laterality in single pirouettes, statistical parametric mapping was performed for the trunk, hip, knee, ankle angle, and center of mass-center of pressure inclination angle timeframe data during the pirouette in three phases: turn with double-leg (Phase 1), single-leg (Phase 2), and finish turning with a single-leg (Phase 3). In addition, the hop-up time was calculated as the percentage when the foot is not in contact with the ground in Phases 2 and 3.

Results: There were no lateral differences in trunk and lower limb angles in either group. Professional dancers showed slightly more inclination towards the stance leg during left rotation at the beginning of the movement (Phase 1) with longer hop-up time in Phase 2, whereas amateur dancers tended to tilt forward during the left turn (Phases 1 and 2) with longer hop-up time in Phase 3.

Conclusion: It is notable that the COP-COM inclination angle was adjusted by hop-up and it caused the lateral differences in both professional and amateur dancers during a single pirouette with pointe shoes. This study highlights elements to consider in laterality when monitoring pirouette performance with pointe shoes.

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来源期刊
CiteScore
1.60
自引率
22.20%
发文量
28
审稿时长
>12 weeks
期刊介绍: Medical Problems of Performing Artists is the first clinical medical journal devoted to the etiology, diagnosis, and treatment of medical and psychological disorders related to the performing arts. Original peer-reviewed research papers cover topics including neurologic disorders, musculoskeletal conditions, voice and hearing disorders, anxieties, stress, substance abuse, and other health issues related to actors, dancers, singers, musicians, and other performers.
期刊最新文献
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