{"title":"Out on the Floor：探索二十世纪八九十年代的伦敦女同性恋俱乐部场景","authors":"Katherine Griffiths","doi":"10.1080/03007766.2024.2320578","DOIUrl":null,"url":null,"abstract":"This article sets out to counter dominant depictions of DJs and clubbing that privilege white male DJs and their scenes, and that erase nightclubbing’s Black queer origins. Using queer oral history...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"137 1","pages":""},"PeriodicalIF":1.3000,"publicationDate":"2024-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Out on the Floor: Exploring the London Lesbian Club Scene of the 1980s and 1990s\",\"authors\":\"Katherine Griffiths\",\"doi\":\"10.1080/03007766.2024.2320578\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article sets out to counter dominant depictions of DJs and clubbing that privilege white male DJs and their scenes, and that erase nightclubbing’s Black queer origins. Using queer oral history...\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":\"137 1\",\"pages\":\"\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2024-03-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2024.2320578\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2024.2320578","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章旨在反驳对 DJ 和夜总会的主流描述，这些描述赋予白人男性 DJ 及其场景以特权，并抹杀了夜总会的黑人同性恋起源。文章采用同性恋口述历史的方式，对夜总会的黑人同性恋起源进行了分析。
Out on the Floor: Exploring the London Lesbian Club Scene of the 1980s and 1990s
This article sets out to counter dominant depictions of DJs and clubbing that privilege white male DJs and their scenes, and that erase nightclubbing’s Black queer origins. Using queer oral history...
期刊介绍：
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
