无论我在哪里由 Donald G. Evans 和 Robin Metz 编辑的《芝加哥诗选》(评论)

IF 0.1 4区 文学 0 LITERATURE AMERICAN BOOK REVIEW Pub Date : 2024-03-12 DOI:10.1353/abr.2023.a921796
Mark Fishbein
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My son found himself in Chicago after college and is raising his family there, so I have visited quite frequently over the past twenty years. What was Chicago to me? \"Perhaps a nice place to live,\" I often said, \"but I wouldn't want to visit.\" Especially in winter, when even the penguins avoid it. It's the place where <em>the man danced with his wife</em> in the famous song. Deep-dish pizza to send you to the ER. Great if your passion is sky scrapper Architecture (capital A!). Eliot Ness and Al Capone. Paul Butterfield Blues Band telling me <em>son, you better get a gun</em>.</p> <p>Last week, at the time of this writing, I moved here, permanently. Family first. How serendipitous to be asked to review an anthology of 134 poets offering a poem with Chicago as the theme? How better to discover the soul of a city? Here poets were asked to do what Whitman did for New York, Baudelaire and Apollinaire for Paris, Keats for Rome, and Sandburg for Chicago (whose name is sadly not to be found in the preface or introduction, and only in 2 of the 134 poems). <strong>[End Page 127]</strong></p> <p>The sheer size of this collection is staggering. What is Chicago poetry? In the foreword, Carlo Rotella states:</p> <blockquote> <p>And I'd argue that Gwendolyn Brooks emerges here as the presiding figure of Chicago's poetic tradition.</p> </blockquote> <p>Surely a great poet, she, along with James Baldwin, Langston Hughes, and so many others, has universally redefined the Black experience in the twentieth century. Her easy style and use of dialects mixed with elegance have influenced all poetry, not only the 29 percent of the Chicago population being \"Black or African American\" according to the census. But there is no \"school\" of Chicago poetry I can decipher here, only the kaleidoscope of styles familiar in today's poetry anthologies.</p> <p>As the posted theme of this book is \"Chicago,\" all the poems do mention something about the city: a street, a neighborhood, local stores, clubs, restaurants, or parks, but <em>place</em> is most often secondary to the narrative in the poem, as agreed by Mr. Rotella:</p> <blockquote> <p>Some of the subject matter that inspires the writers here may resemble what you'd find in Dayton, New York, or Shanghai, but some of it is uniquely Chicago based.</p> </blockquote> <p>Virtually every poem in this collection is polished, well crafted, \"professional,\" and deserves publication. A great many are outstanding and memorable. But I would have preferred a shorter and more focused collection of poems more connected to the \"Hog Butcher for the World.\" I bookmarked 35 of the 134 poems which felt fully connected to the experience of living in Chicago: rich imagery of the city landscape and Lake Michigan, the trains and public transportation, the extreme weather, the ethnicity, jazz and blues, and the sense of community with sacred oaths and desperate despair. Strangely, no one mentioned that Chicago is also one of the centers for poetry in the United States, home of the Poetry Foundation, <em>Poetry</em> magazine, and famous university presses.</p> <p>Before going further, the collection also offers twenty-seven illustrations, photos, and graphics, many of which are spellbinding. They are well placed and insightful. The editing and formatting of this book show great care, despite the over-ambitious attempt. <strong>[End Page 128]</strong></p> <p>The introduction begins with the question \"What is Chicago like?\" and ends with this thought:</p> <blockquote> <p><span>What is Chicago like?</span><span>This is what it's like. And this. And this. And this.</span><span>And the other.</span></p> </blockquote> <p>Michigan Avenue is not the same as Fifth Avenue in New York. Downtown presents a...</p> </p>","PeriodicalId":41337,"journal":{"name":"AMERICAN BOOK REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Wherever I'm At: An Anthology of Chicago Poetry ed. by Donald G. 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引用次数: 0

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以下是内容的简要摘录,以代替摘要:评论者: 无论我在哪里唐纳德-埃文斯(Donald G. Evans)和罗宾-梅兹(Robin Metz)编著的《芝加哥诗选》 马克-菲什宾(Mark Fishbein)(简历) 无论我在哪:芝加哥诗选 唐纳德-埃文斯(Donald G. Evans)和罗宾-梅兹(Robin Metz)编著的《芝加哥诗选》(Athology of Chicago Poetry)After Hours Press and Third World Press https://thirdworldpressfoundation.org/product/wherever-im-at-an-anthology-of-chicago-poetry/ 311 页;印刷版,25.00 美元 我是一个诗人,也是一个城市男孩,我一生中的大部分时间都在曼哈顿度过,在巴黎呆过几年,在华盛顿特区呆过十年。因此,我想我是一个城市势利小人。我的儿子大学毕业后来到芝加哥,在那里养家糊口,所以在过去的二十年里,我经常去芝加哥。芝加哥对我来说是什么?"也许是个不错的居住地",我常说,"但我不想去"。尤其是冬天,连企鹅都避之唯恐不及。在那首著名的歌里,男人和妻子在这里共舞。深盘披萨能把你送进急诊室。如果你的爱好是空中飞人建筑(大写的A!),那就再好不过了。艾略特-内斯和阿尔-卡彭保罗-巴特菲尔德蓝调乐队(Paul Butterfield Blues Band)告诉我,孩子,你最好拿把枪。上周,也就是写这篇文章的时候,我永久搬到了这里。家庭第一。应邀评论一本由 134 位诗人组成的选集,其中有一首以芝加哥为主题的诗?如何更好地发现一座城市的灵魂?在这里,诗人被要求做惠特曼为纽约所做的事,波德莱尔和阿波利奈尔为巴黎所做的事,济慈为罗马所做的事,以及桑德伯格为芝加哥所做的事(遗憾的是,在序言或导言中找不到桑德伯格的名字,134 首诗中只有两首出现了他的名字)。[这本诗集的规模之大令人咋舌。什么是芝加哥诗歌?卡洛-罗特拉在前言中写道: 我认为,格温多林-布鲁克斯是芝加哥诗歌传统的领军人物。 她无疑是一位伟大的诗人,她与詹姆斯-鲍德温、兰斯顿-休斯以及其他许多诗人一起,重新定义了 20 世纪黑人的经历。根据人口普查,芝加哥有 29% 的人口是 "黑人或非裔美国人",而她轻松的风格和优雅中夹杂着方言的使用影响了所有诗歌。但在这里,我无法解读芝加哥诗歌的 "流派",只能看到当今诗歌选本中熟悉的万花筒式的风格。由于本书的主题是 "芝加哥",所有诗歌都提到了有关这座城市的一些内容:街道、社区、当地商店、俱乐部、餐馆或公园,但正如罗特拉先生所同意的那样,地点在诗歌的叙述中往往是次要的: 罗特拉先生也认为:激发作者创作灵感的一些题材可能与代顿、纽约或上海的题材相似,但有些题材是芝加哥独有的。 这本诗集中的每一首诗几乎都是精雕细琢、制作精良、"专业 "的,值得出版。其中许多诗歌都非常出色,令人难忘。但我更希望这本诗集篇幅更短、重点更突出,与 "世界猪屠夫 "的联系更紧密。在 134 首诗歌中,我将其中 35 首加入了书签,这些诗歌完全与芝加哥的生活体验联系在一起:对城市景观和密歇根湖、火车和公共交通、极端天气、民族、爵士乐和蓝调的丰富想象,以及神圣誓言和绝望的社区感。奇怪的是,没有人提到芝加哥也是美国的诗歌中心之一,是诗歌基金会、《诗歌》杂志和著名大学出版社的所在地。在进一步介绍之前,这本诗集还提供了二十七幅插图、照片和图表,其中许多都令人着迷。它们布局合理,见解独到。本书的编辑和排版都非常用心,尽管尝试过于雄心勃勃。[第 128 页末] 引言以 "芝加哥是什么样的?"这一问题开始,并以这一思考结束: 芝加哥是什么样的?还有这个。还有这个。还有这个。 密歇根大道与纽约第五大道不同。市中心呈现的是...
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Wherever I'm At: An Anthology of Chicago Poetry ed. by Donald G. Evans and Robin Metz (review)
In lieu of an abstract, here is a brief excerpt of the content:

Reviewed by:

  • Wherever I'm At: An Anthology of Chicago Poetry ed. by Donald G. Evans and Robin Metz
  • Mark Fishbein (bio)
wherever i'm at: an anthology of chicago poetry Edited by Donald G. Evans and Robin Metz
After Hours Press and Third World Press
https://thirdworldpressfoundation.org/product/wherever-im-at-an-anthology-of-chicago-poetry/
311 pages; Print, $25.00

I am a poet, and a city boy, spending most of my life in Manhattan with a few years in Paris and a decade in Washington, DC. So I guess I'm a city snob. My son found himself in Chicago after college and is raising his family there, so I have visited quite frequently over the past twenty years. What was Chicago to me? "Perhaps a nice place to live," I often said, "but I wouldn't want to visit." Especially in winter, when even the penguins avoid it. It's the place where the man danced with his wife in the famous song. Deep-dish pizza to send you to the ER. Great if your passion is sky scrapper Architecture (capital A!). Eliot Ness and Al Capone. Paul Butterfield Blues Band telling me son, you better get a gun.

Last week, at the time of this writing, I moved here, permanently. Family first. How serendipitous to be asked to review an anthology of 134 poets offering a poem with Chicago as the theme? How better to discover the soul of a city? Here poets were asked to do what Whitman did for New York, Baudelaire and Apollinaire for Paris, Keats for Rome, and Sandburg for Chicago (whose name is sadly not to be found in the preface or introduction, and only in 2 of the 134 poems). [End Page 127]

The sheer size of this collection is staggering. What is Chicago poetry? In the foreword, Carlo Rotella states:

And I'd argue that Gwendolyn Brooks emerges here as the presiding figure of Chicago's poetic tradition.

Surely a great poet, she, along with James Baldwin, Langston Hughes, and so many others, has universally redefined the Black experience in the twentieth century. Her easy style and use of dialects mixed with elegance have influenced all poetry, not only the 29 percent of the Chicago population being "Black or African American" according to the census. But there is no "school" of Chicago poetry I can decipher here, only the kaleidoscope of styles familiar in today's poetry anthologies.

As the posted theme of this book is "Chicago," all the poems do mention something about the city: a street, a neighborhood, local stores, clubs, restaurants, or parks, but place is most often secondary to the narrative in the poem, as agreed by Mr. Rotella:

Some of the subject matter that inspires the writers here may resemble what you'd find in Dayton, New York, or Shanghai, but some of it is uniquely Chicago based.

Virtually every poem in this collection is polished, well crafted, "professional," and deserves publication. A great many are outstanding and memorable. But I would have preferred a shorter and more focused collection of poems more connected to the "Hog Butcher for the World." I bookmarked 35 of the 134 poems which felt fully connected to the experience of living in Chicago: rich imagery of the city landscape and Lake Michigan, the trains and public transportation, the extreme weather, the ethnicity, jazz and blues, and the sense of community with sacred oaths and desperate despair. Strangely, no one mentioned that Chicago is also one of the centers for poetry in the United States, home of the Poetry Foundation, Poetry magazine, and famous university presses.

Before going further, the collection also offers twenty-seven illustrations, photos, and graphics, many of which are spellbinding. They are well placed and insightful. The editing and formatting of this book show great care, despite the over-ambitious attempt. [End Page 128]

The introduction begins with the question "What is Chicago like?" and ends with this thought:

What is Chicago like?This is what it's like. And this. And this. And this.And the other.

Michigan Avenue is not the same as Fifth Avenue in New York. Downtown presents a...

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AMERICAN BOOK REVIEW LITERATURE-
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