反黑人与道德修复:火腿的诅咒、圣经中的亲缘关系以及自由主义的局限性

IF 1.9 1区 社会学 Q1 ANTHROPOLOGY Cultural Anthropology Pub Date : 2024-03-19 DOI:10.14506/ca39.1.06
JUSTIN LEE HARUYAMA
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引用次数: 0

摘要

几个世纪以来,欧洲人将《圣经》中哈姆的诅咒解释为殖民和奴役非洲人的理由。然而,今天一些赞比亚人却重复这个故事,认为这表明上帝有意让非洲人成为白人的奴仆,从而解释了全球不平等现象。我认为,这些明显反黑人的观点不是错误意识的证据,而是对种族主义、殖民主义和资本主义的反霸权理论。许多赞比亚人利用 "哈姆 "叙事,在民族国家的领土化边界逻辑中挑战自由主义对平等的迷信。他们展示了在一个根本不平等的世界里,这些拜物教如何使违背上帝旨意的社会分化永久化。这构成了一种非平等主义的非殖民化批判,它要求跨大陆的相互联系、亲缘关系和关怀。为了实现道德修复,我利用解放神学的资源来想象既反种族主义又反国家主义的新的伦理和政治未来。
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ANTI-BLACKNESS AND MORAL REPAIR: The Curse of Ham, Biblical Kinship, and the Limits of Liberalism

For centuries, Europeans interpreted the biblical curse of Ham to justify the colonization and enslavement of Africans. Yet some Zambians today repeat this story as a demonstration of God's intention for Africans to be servants to whites, thus explaining global inequalities. I approach these apparently anti-Black views not as evidence of false consciousness but as counterhegemonic theorizations of racism, coloniality, and capitalism. Many Zambians use the Ham narrative to challenge the liberal fetishization of equality amid the territorializing border logics of the nation-state. They demonstrate how, in a radically unequal world, these fetishes perpetuate social divisions that contravene God's will. This constitutes a non-egalitarian decolonizing critique that instead demands relations of mutual connection, kinship, and care across continents. Working toward moral repair, I enlist the resources of liberation theology to imagine new ethical and political futures that are both anti-racist and anti-statist.

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来源期刊
Cultural Anthropology
Cultural Anthropology ANTHROPOLOGY-
CiteScore
4.80
自引率
0.00%
发文量
41
审稿时长
52 weeks
期刊介绍: Cultural Anthropology publishes ethnographic writing informed by a wide array of theoretical perspectives, innovative in form and content, and focused on both traditional and emerging topics. It also welcomes essays concerned with ethnographic methods and research design in historical perspective, and with ways cultural analysis can address broader public audiences and interests.
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