卡里尔-丘吉尔《业主》中的性别划分和女性意识反思

Mehrunnisa M. Yunus, Tribhuwan Kumar
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摘要

本文旨在从女权主义的视角审视卡里尔-丘吉尔(Caryl Churchill)的剧本《业主》。该剧主要是为了响应 20 世纪 60-70 年代女权运动的思想而创作的,其中探讨了许多类似的主题。作为当时最有影响力的女权主义者之一,西蒙娜-德-波伏娃(Simone de Beauvoir)关于女性的观点在剧中得到了讨论。丘吉尔将强势的女性角色置于中心位置,并从多个角度探讨了男性权力。除了对前面提到的方面进行深入讨论外,本研究还对当代女权主义的整体情况进行了简要概述。研究还质疑了父权制的影响以及丘吉尔《主人公》中女性的社会地位。因此,我们可以清楚地看到,剧作家在强调女性经济和情感独立的重要性的同时,也强调并展示了当时女性所面临的问题。
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Reflection of gender divisions and feminine consciousness in Caryl Churchill’s ‘Owners’
The purpose of this article is to examine Caryl Churchill's play ‘Owners’ through the lens of feminism. The play was created mostly in response to the ideas of the feminist movement of the 1960s - 1970s, which examines many of the similar themes. As one of the most influential feminists of her day, Simone de Beauvoir's opinions on women are discussed in relation to the play. Churchill places strong female characters front and centre and explores male power from several angles. In addition to in depth discussions on the previously mentioned aspects, the present research study covers a brief overview of contemporary feminism overall. It also questions the effects of patriarchy and the socially defined positions of women in Churchill's ‘Owners’. As a consequence, it becomes clear that the dramatist highlights and displays the issues facing women of her day while also highlighting the significance of women's economic and emotional independence.
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