将弗拉基米尔-普洛普的民间故事形态学应用于尼古拉斯-斯克斯的《幸运儿》中

Doaa Taher AL-dihaymawee
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引用次数: 0

摘要

小说作为一种文学体裁出现于十八世纪,是随着中产阶级的兴起而出现的一种娱乐形式。尼古拉-斯帕克是美国现代小说家之一。他是《纽约时报》畅销书作家,作品以四十五种语言在全球发行超过八千万册。本研究旨在根据俄罗斯民俗学家和学者弗拉基米尔-普罗普(Vladimir Propp)的《民间故事形态学》(1927 年)研究斯帕克的《幸运儿》(2008 年)。尽管普罗普的理论曾经适用于民间故事,但也有研究者将其应用于小说,如 Nursantia(2003 年)的论文 "约瑟夫-康拉德《黑暗之心》中的道德观 "和 Salmah(2004 年)的论文 "查尔斯-狄更斯《我们共同的朋友》中的道德形式"。因此,普罗普理论在一般小说和现代文本中应用的缺乏,促使研究者将普罗普的民间故事形态学应用于现代小说《幸运儿》(2008 年),以填补研究中的这一空白。试图回答以下研究问题:1) 能否将弗拉基米尔-普罗普的《民间故事形态学》(1927 年)应用于尼古拉斯-斯帕克的小说《幸运儿》?2)《幸运儿》中主要人物形象的善恶道德是什么?3)尼古拉-斯帕克的《幸运儿》中可以找到普罗普的 31 个特征中的多少个特征?
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APPLYING VLADIMIR PROPP’S MORPHOLOGY OF THE FOLKTALE TO NICHOLAS SPARKS’ "THE LUCKY ONE"
The novel as a literary genre appeared in the eighteenth century with the rise of the mid-class as a form of entertainment. Nickola Spark is one of the modern American novelists. He is a New York Times bestseller author with over eighty million international copies in forty-five languages. The researcher aims to examine Spark’s “The Lucky One” (2008) according to the Russian folklorist and scholar Vladimir Propp’s Morphology of the Folktale (1927). Even though Propp's theory used to apply to folktales, some researchers apply it to novels, such as Nursantia (2003), entitled "The Moral Aspect in Joseph Conrad's 'Heart of Darkness'" and Salmah (2004) in his thesis entitled "The Moral Forms in Charles Dickens's 'Our Mutual Friend'". Thus, the lack of applying Propp's theory on novels in general and modern text in specific encourages the researcher to fill this gap in the study by applying Propp's Morphology of the Folktale to a modern novel, “The Lucky One” (2008). Trying to answer the following research questions: 1) Is it possible to apply Vladimir Propp’s Morphology of the Folktale (1927) to Nicholas Spark’s novel “The Lucky One”? 2) What are the good and bad morals portrayed by the main characters in “The Lucky One”? 3)How many features of Propp’s thirty-one features can be found in Nickola Spark’s “The Lucky One”?
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