平民化的情感劳动:匈牙利非自由主义的街头艺术

Pub Date : 2024-03-12 DOI:10.1111/awr.12266
Gabriella Lukacs
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引用次数: 0

摘要

在匈牙利,自2010年专制民粹主义的Fidesz-KDNP政府上台以来,街头艺术已成为一种独特的政治活动形式。这篇文章探讨了一个政党--MKKP--的街头艺术项目,该政党将这一艺术流派转化为一种公共化实践和批判模式,抨击政府没有为所有人的利益维护公共资源。人民圣战者运动的街头艺术项目利用情感劳动,将修复破败公共财产的项目与培养积极公民意识的政治计划战略性地联系在一起。然而,公共化的情感劳动并未被视为一种有价值的政治劳动形式,人民圣战者大会也未能在议会中获得代表权。在这种背景下,人民圣战者大会将讽刺作为一种策略,来削弱专制政府和不承认情感劳动的政治价值的性别歧视政治文化。最后,我总结道,人民圣战者大会的街头艺术项目揭示了一个悖论,即建设民主的情感劳动并不总能让从事这种劳动的人受益。尽管如此,人民圣战者组织的活动家们在扩大政治参与并使其更具包容性的同时,也在不同的时间节点上创造了其他利益。
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The affective labor of commoning: Street art in illiberal Hungary

In Hungary, street art has emerged as a unique form of political activism since 2010, when the authoritarian populist Fidesz-KDNP government rose to power. This essay examines the street art projects of a political party, the MKKP, that transformed this genre into a practice of commoning and a mode of critique to call out the government for not maintaining the commons for the benefit of all. The MKKP's street art projects harness affective labor, which strategically links projects of repairing decaying public property with the political program of fostering active citizenship. Yet the affective labor of commoning is not recognized as a valorized form of political labor and the MKKP has not been able to gain representation in parliament. Against this backdrop, the MKKP uses satire as a strategy to emasculate an authoritarian government and a sexist political culture that does not acknowledge the political value of affective labor. The MKKP's street art projects, I conclude, shed light on the paradox that the affective labor of building democracy does not always benefit the ones who perform this labor. Nevertheless, the MKKP's activists generate other benefits following different temporalities as they expand political participation and make it more inclusive.

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