照亮朦胧:中世纪早期中国哥特式绘画中的幽明录和光学动态

Pub Date : 2024-03-01 DOI:10.3366/gothic.2024.0183
Ting-fu Chen
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引用次数: 0

摘要

本文将《幽明录》解读为 "异常记"(zhiguai)传统中对秩序的渴望与对不确定性的开放性之间核心矛盾的缩影。本文试图通过将《异域记》概念化为 "中世纪早期中国哥特式",揭示一种前现代非盎格鲁-欧洲体裁的当代意义,并将哥特式从文化或社会历史决定论中解脱出来。它关注《幽明录》中光明与黑暗的标志性动态所蕴含的对晦涩事物的矛盾关怀,并将这种认识论上的好客之道理论化为对哥特式同样至关重要的另一种启蒙。这篇文章试图在文化殖民主义和神秘主义之间开辟一个中间空间,在这个空间中,作为 "奇怪的非小说 "的《资治通鉴》可被视为哥特式敏感性的先声,而这种敏感性反过来又照亮了它自身的小说潜力,这种潜力早于中国古典小说本身。
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Illuminating Obscurity: The Youming Lu and the Optical Dynamic in Early Medieval Chinese Gothic
This article reads the Youming lu ( Records of the Hidden and Visible Realms) as an epitome of the central tension in the tradition of ‘anomaly accounts’ ( zhiguai) between a desire for order and an openness to uncertainties. By conceptualizing the zhiguai as ‘early medieval Chinese Gothic’, this article attempts to disclose the contemporary significance of a premodern non-Anglo-European genre, as well as unbind the Gothic from cultural or socio-historical determinism. It attends to an ambivalent solicitude for the obscure embedded in the Youming lu’s iconic dynamic of light and darkness to theorize such epistemic hospitality into an alternative enlightenment also crucial to the Gothic. Shifting the focus of globalgothic from ontology to epistemology, from the clearly marvelous to the interplay of clarity and obscurity, this article seeks to open up an intermediate space between cultural colonialism and esotericism, where the zhiguai, as ‘strange non-fiction’, can be considered to have prefigured a gothic sensitivity that in turn illuminates its own fictional potential which predated classical Chinese fiction proper.
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