有目的的困难:费登克莱斯方法®及其他方法中的体现式学习

IF 0.2 4区 文学 N/A LITERATURE PARAGRAPH Pub Date : 2024-03-01 DOI:10.3366/para.2024.0452
Kristin Fredricksson
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引用次数: 0

摘要

本文分析了费登克莱斯体感教育法(FM)中如何将困难作为学习工具,并借鉴了摩西-费登克莱斯(Moshe Feldenkrais)的理论和教导、我自 2007 年以来的从业经验以及我在研究生学术教学中使用 FM 的情况。表演者培训,尤其是欧亨尼奥-巴尔巴(Eugenio Barba)的作品,为体现性练习提供了更广阔的背景。调频挑战了困难的参数,将其定格为内在的生产力。在调频中被有效利用的主要困难是非习惯性、限制、分化、分散注意力和迷失方向。为了证明身体困难与智力困难之间的联系,我借鉴了萨拉-艾哈迈德(Sara Ahmed)关于定向的同性恋现象学方法,以及玛克辛-谢茨-约翰斯通(Maxine Sheets-Johnstone)关于 "运动至上 "的论点。我提供了一种新的思维方式,将困难视为产生的而非固有的,从明显的身体实践向外扩展到智力实践。为了巩固这一点,我提到了以色列的一项实验,其目的是通过调频将 "有机 "学习和 "学术 "学习结合起来。
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Difficult on Purpose: Embodied Learning in the Feldenkrais Method® and Beyond
This article analyses how difficulties are used as learning tools in the Feldenkrais Method of somatic education (FM), drawing on Moshe Feldenkrais’s theory and teachings, my experience as a practitioner since 2007 and my use of FM in postgraduate academic teaching. Performer training, particularly Eugenio Barba’s work, offers a wider context of embodied practice. FM challenges the parameters of difficulty, framing it as inherently productive. Key difficulties used productively in FM are the non-habitual, constraints, differentiation, diffuse attention and disorientation. To demonstrate the connection between physical and intellectual difficulties, I draw on Sara Ahmed’s queer phenomenological approach to orientation and Maxine Sheets-Johnstone’s argument for the ‘primacy of movement’. I offer new ways of thinking about difficulty as emergent rather than intrinsic, expanding outwards from clearly embodied practices towards intellectual ones. To anchor this, I refer to an experiment in Israel aiming to integrate ‘organic’ and ‘scholastic’ learning through FM.
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来源期刊
PARAGRAPH
PARAGRAPH LITERATURE-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.
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