艺术、萃取主义和本体论转变:走向(后)萃取美学

Paula Serafini
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摘要

本文旨在为本体论转变时期的(后)采掘主义美学做出贡献,即一种关注艺术在争取(后)采掘主义世界的斗争中的作用的美学。首先,文章论证了使用 "采掘主义 "框架的语境化方法,并提出这一框架在处理社会环境危机方面尤其富有成效,因为它允许我们参与这一危机的本体论基础。随后,文章以在阿根廷开展的实证研究为基础,提出了预示性本体论设计的概念,这是反采掘主义和后采掘主义运动中艺术实践的关键功能之一。通过这种方式,文章旨在扩大我们对萃取主义作为分析框架的潜力的理解,并通过政治本体论的视角,为艺术与萃取主义之间关系的理论化做出贡献,为发展(后)萃取主义美学提供新的概念。
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Art, Extractivism, and the Ontological Shift: Toward a (Post)Extractivist Aesthetics
This article aims to contribute to a (post)extractivist aesthetics at a time of ontological shifts, meaning an aesthetics that focuses on the role of art in struggles for (post)extractivist worlds. First, it argues for a contextualized approach to the use of the extractivism framework and proposes that this framework is particularly productive for approaching the socio-environmental crisis due to the way it allows us to engage with the ontological basis of this crisis. The article then builds on empirical research conducted in Argentina to develop the concept of prefigurative ontological design, one of the key functions, it is proposed, of artistic practice in anti- and post-extractivist movements. In this way, the article aims to expand our understanding of the potential of extractivism as a framework of analysis and contributes to the theorization of the relationship between art and extractivism through the lens of political ontology, offering new concepts for developing a (post)extractivist aesthetics.
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