妻子的哀歌》中的拉德冈和阿马尔福里德

Richard North
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摘要

妻子的哀歌》中的女人是谁?本文认为她是普瓦捷圣克鲁瓦的女执事圣拉德贡(St Radegund,约 520-587 年)。本文主要对这首诗前半部分的叙事句法进行了重新评估,发现在这首诗中,并没有传统意义上被认为是女人的情人或丈夫的那个男人,而是有四个男性主体,他们的行为符合拉德贡的堂兄阿马尔福里德、她的丈夫克洛瑟、她未命名但被谋杀的兄弟以及最后的主耶稣的故事。该文认为,诗人的主要创作来源是圣拉德贡的两篇简历和维南提乌斯-福图纳图(Venantius Fortunatus,约 530 年至 609 年)的诗歌,其中大部分是他的(也可能是她的)哀歌 De excidio Thoringiae(约 568 年)。文章最后称,《妻子的哀歌》与查理曼大帝于 789 年禁止的 winileodos 有关,它是在这一时期作为圣拉德贡的挽歌谜语而创作的。
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Radegund and Amalfrid in The Wife’s Lament
Who is the woman in The Wife’s Lament? This essay makes her out to be St Radegund (c. 520–587), deaconess of Sainte-Croix in Poitiers. Reevaluating the narrative syntax mainly of the first half of this poem, the argument finds not the one man conventionally taken to be the woman’s lover or husband in this poem, but four male subjects there whose actions fit the stories of Radegund’s cousin Amalfrid, her husband Clothar, her unnamed but murdered brother, and lastly Lord Jesus. The poet’s main sources are argued to be the two Vitae of St Radegund and the poems of Venantius Fortunatus (c. 530–c. 609), mostly his (and possibly also her) lament De excidio Thoringiae (c. 568). The essay finally claims that The Wife’s Lament is related to the winileodos banned by Charlemagne in 789, and that it was composed in this period as an elegiac riddle for St Radegund.
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