解构性别和婚姻定型观念:对巴基斯坦歌词的批判性分析

Rabia Noor, Maryam Missal
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摘要

本文探讨了巴基斯坦歌词中错综复杂的世界,旨在揭示巴基斯坦社会对性别角色和婚姻定型观念的强化、美化和正常化。它以培养理论为基础,研究了重复接触这些歌曲如何对被动受众产生重大影响,塑造他们对社会规范和性别动态的看法。本研究借鉴女性主义理论,对这些歌词进行了批判性研究,仔细审视了其中存在的负面性别角色和婚姻定型观念。本研究将女性主义理论与批判性话语分析相结合,揭示了在不同的背景和社会中,根深蒂固的性别概括和霸权动态是如何通过话语建构、强化、协商和质疑等复杂、微妙,有时甚至是公开的方式。本研究强调了超越批判性分析,倡导真正转变以解决性别不平等问题的必要性。通过对巴基斯坦歌词世界的窥探,本研究为正在进行的有关性别角色、陈规定型观念和社会变革的讨论做出了贡献。
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Deconstructing Gender and Marital Stereotypes: Critical Analysis of Song Lyrics in Pakistan
This article examines the intricate world of Pakistani song lyrics, aiming to unveil the reinforcement, glorification, and normalization of gender roles and marital stereotypes within Pakistani society. Grounded in cultivation theory, it investigates how the repetitive exposure to these songs may significantly influence passive audiences, shaping their perspectives on societal norms and gender dynamics. Drawing from feminist theory, the study critically examines these lyrics, scrutinizing the presence of negative gender roles and marital stereotypes. Combining feminist theory with critical discourse analysis, this research sheds light on the complex, nuanced, and sometimes overt ways in which deeply ingrained gendered generalizations and hegemonic power dynamics are discursively constructed, reinforced, negotiated, and questioned in diverse contexts and societies. The study underscores the imperative of moving beyond critical analysis to advocate for genuine transformation in addressing gender inequities. By peering into the world of Pakistani song lyrics, this research contributes to the ongoing discourse on gender roles, stereotypes, and societal change.
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