在 B. L. 帕斯捷尔纳克的诗歌《冰霜》中回忆 A. S. 普希金的亡国公主故事

A. A. Aksionova
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引用次数: 0

摘要

目的。在 B. L. 帕斯捷尔纳克的其他作品中,《冰霜》一诗以三种不同的方式展现了边界问题:作为抒情主人公的内心世界、作为童话与生活中偶然现象的关联以及作为自然状态。冰霜》被列入帕斯捷尔纳克作品的 "边界 "部分并非偶然,它是帕斯捷尔纳克晚期作品《佩列杰尔金诺》的过渡。一方面,恐惧、欺骗性秩序和不信任的形象揭示了人类独特生命终结的主题(与自然界无休止的死亡和重生循环形成鲜明对比)。另一方面,诗意(和童真)视觉的创造性天赋带来了安慰的语义。发生在抒情主人公身上最令人惊奇的事情就是发现了关联:所有庄严和谐的环境都变成了诗歌和谐的活生生的再现,如普希金在《亡国公主的故事》中的四行诗。因此,日常生活世界是理想、神圣感的延伸。这一发现需要主人公的努力,他从人与世界的不和谐感转变为与自然的对话,并希望被倾听。
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Reminiscence of A. S. Pushkin’s Tale about the Dead Princess in B. L. Pasternak’s Poem Hoarfrost
Purpose. The poem Hoarfrost among the other works of B. L. Pasternak shows a problem of borders in three different ways: as the inner world of the lyrical hero, as a correlation of a fairy-tale and casual aspects of life, and as a state of nature. It is no coincidence that Hoarfrost is included in the “boundary”, transitional to the late stage of Pasternak's work, the Peredelkino cycle.Results. On the one hand, the theme of an end of a unique human life (in contrast to the endlessly reproduced cycle of death and rebirth of nature) is revealed in images of fear, deceptive order and mistrust. On the other hand, the creative gift of poetic (and childlike) vision brings semantics of consolation. The most surprising thing that happens to the lyrical hero is the discovery of correlations: all the solemn harmony of the environment turns out to be a living representation of the poetical harmony, such as Pushkin's quatrain in The Tale of the Dead Princess.Conclusion. Thus, the everyday world is an extension of the ideal, sacred sense. This discovery requires the efforts of the hero, who moves from a sense of discord between a human and the world to a dialogue with nature and the hope of being heard.
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