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摘要

摘要:阿普列乌斯的《变形记》("丘比特与赛琪",公元二世纪)、菲洛斯特拉图斯的《阿波罗尼乌斯》(约公元 220 年)、《卡利马修斯与克里索罗沃》(公元十四世纪初)、《康拉德的传奇》(公元十四世纪)和《西奥多-铁龙的奇迹故事》(公元十四世纪)中的五个类比叙事证明,这些叙事的基础是一种理想的故事类型,其思路如下。一条龙住在一座金碧辉煌的城堡里,几乎无法进入。城堡周围布满了小蛇,并有许多小蛇出没。在城堡里,他有一个特殊的高台,里面有自动气动托盘、桌子和器皿为他服务。他对一个人类女孩产生了欲望,偷走了她并将她囚禁起来。她的未婚夫闯入城堡,杀死了龙,救出了她,奇妙的城堡随之融化。色情欲望的主题与故事的类型如影随形。长期以来,人们一直怀疑丘比特与赛琪的故事是建立在已有的传统龙的叙事基础上的,这一点得到了进一步的证实。
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The Jeweled Castle of the Dragon
abstract:Five analog narratives—from Apuleius's Metamorphoses ("Cupid and Psyche," second century AD), Philostratus's Apollonius (ca. AD 220), Callimachus and Chrysorrhoe (early fourteenth century AD), Konrad's Saga (fourteenth century AD) and The Theodore Tiron Miracle Story (fourteenth century AD)—prove to be underpinned by an ideal story type along the following lines. A dragon lives in a golden, jeweled castle, almost impossible of access. It is surrounded by and infested by lesser serpents. Within it he has a special raised platform, and he is served in it by automatic air-powered trays, tables, and vessels. He conceives a desire for a human girl, steals her and keeps her captive. The castle is penetrated by her lover-to-be, who kills the dragon and saves her, whereupon the marvelous castle melts away. The theme of erotic desire travels with the story type. Further support is provided for the long-held suspicion that the Cupid and Psyche tale builds upon a preexisting traditional dragon narrative.
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