古典和数字马来时代的潘屯:现象学研究

Hidayatun Nur
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摘要

自古典马来时代起,印尼廖内省的人们就开始使用 Pantun,甚至将它与当时的廖内省人民联系在一起。在数字时代,潘屯在廖内省和印度尼西亚继续存在。它已被宣布为非物质文化遗产,联合国教科文组织将于 2020 年 12 月宣布其为非物质文化遗产。本研究旨在描述 Pantun 在古典马来时代和数字时代在印度尼西亚廖内省马来社会中的功能。 本研究采用现象学策略进行描述性定性研究。通过访谈技术收集数据,即与人文学者、吟诵者和班屯大师的访谈,然后通过文献和观察收集数据。潘屯数据来自廖内省的四条主要河流:罗干河、锡耶克河、甘帕河和印德拉吉里河的代表。研究数据的验证采用了来源三角测量法。数据分析采用互动技术:数据缩减、展示、分析和结论。研究结果表明,廖内邦墩在古典马来时代的功能包括日常生活中的交流功能、传统婚礼游行中的交流功能、传达感情的功能、说教功能、娱乐功能和 Kamal 功能。数字时代廖内邦墩的功能仅是在活动中开场白和结束语,如在传统婚礼游行和表演艺术娱乐中。
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Pantun in the Classical and Digital Malay Era: A Phenomenological Study
Pantun has been used since the Classical Malay era by the people of Riau, Indonesia, and even It has been tied to the people of Riau at that time. In the digital age, Pantun continues to exist in Riau and Indonesia. It has been inaugurated as an Intangible Cultural Heritage, which UNESCO inaugurated in December 2020. This study aims to describe the function of Pantun in the Classical Malay era and the digital era in Malay society in Riau Province, Indonesia.  This research is descriptive qualitative research using a phenomenological strategy. Data were collected by interview techniques, namely with humanists, chanters, and Pantun maestros, and then through documentation and observation. Pantun data was taken from representatives of the four major rivers in Riau: the Rokan, Siak, Kampar, and Indragiri. The validation of the research data was carried out using source triangulation. Data analysis was done using interactive techniques: data reduction, presentation, analysis, and conclusion. The results of this study indicate that the function of Pantun in Riau in the Classical Malay era was the function of communication in daily life, in traditional wedding processions and conveying feelings of affection, didactic functions, entertainment functions, and kamal functions. The function of Pantun in Riau in the digital era is only to open and close remarks at an event, such as in traditional wedding processions and performing arts entertainment. 
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