{"title":"文字与音乐的相似之处","authors":"William Turner","doi":"10.5642/jhummath.egja3086","DOIUrl":null,"url":null,"abstract":"A generalised song is a means of drawing parallels between words and music. The parallels are encoded in a mathematical structure, which is interpreted in a verbal structure and a musical structure. Here we develop a number of new techniques for drawing such parallels, in giving two examples of generalised songs, ‘Relation’, and ‘Merge/Split’. The first five partials of a note played on a piano are roughly 0, 12, 19, 24, 28 semitones above the fundamental. ‘Relation’ is a generalised song, whose musical part is played on a piano, constructed from the mathematical relation 4 × 28 = 3 × 12 + 4 × 19. ‘Merge/Split’ is a generalised song whose mathematical part consists of the mathematical operations of merging and splitting, the braid relation, and coassociativity.","PeriodicalId":42411,"journal":{"name":"Journal of Humanistic Mathematics","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Parallels Between Words and Music\",\"authors\":\"William Turner\",\"doi\":\"10.5642/jhummath.egja3086\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A generalised song is a means of drawing parallels between words and music. The parallels are encoded in a mathematical structure, which is interpreted in a verbal structure and a musical structure. Here we develop a number of new techniques for drawing such parallels, in giving two examples of generalised songs, ‘Relation’, and ‘Merge/Split’. The first five partials of a note played on a piano are roughly 0, 12, 19, 24, 28 semitones above the fundamental. ‘Relation’ is a generalised song, whose musical part is played on a piano, constructed from the mathematical relation 4 × 28 = 3 × 12 + 4 × 19. ‘Merge/Split’ is a generalised song whose mathematical part consists of the mathematical operations of merging and splitting, the braid relation, and coassociativity.\",\"PeriodicalId\":42411,\"journal\":{\"name\":\"Journal of Humanistic Mathematics\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Humanistic Mathematics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5642/jhummath.egja3086\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HISTORY & PHILOSOPHY OF SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Humanistic Mathematics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5642/jhummath.egja3086","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
A generalised song is a means of drawing parallels between words and music. The parallels are encoded in a mathematical structure, which is interpreted in a verbal structure and a musical structure. Here we develop a number of new techniques for drawing such parallels, in giving two examples of generalised songs, ‘Relation’, and ‘Merge/Split’. The first five partials of a note played on a piano are roughly 0, 12, 19, 24, 28 semitones above the fundamental. ‘Relation’ is a generalised song, whose musical part is played on a piano, constructed from the mathematical relation 4 × 28 = 3 × 12 + 4 × 19. ‘Merge/Split’ is a generalised song whose mathematical part consists of the mathematical operations of merging and splitting, the braid relation, and coassociativity.