{"title":"\"为什么我不能被需要，甚至被爱？英德拉-辛哈的《动物之民》和恩尼迪-奥科拉福尔的《谁害怕死亡》中的优生学、生殖和后殖民主义","authors":"Tatiana Konrad","doi":"10.1080/00111619.2024.2339515","DOIUrl":null,"url":null,"abstract":"This article focuses on two postcolonial novels, Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Death, and argues that through the novels’ explorations of sex, both narratives reconst...","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":"205 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Why shouldn’t I Be Wanted, Even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Death\",\"authors\":\"Tatiana Konrad\",\"doi\":\"10.1080/00111619.2024.2339515\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article focuses on two postcolonial novels, Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Death, and argues that through the novels’ explorations of sex, both narratives reconst...\",\"PeriodicalId\":44131,\"journal\":{\"name\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"volume\":\"205 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-04-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00111619.2024.2339515\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00111619.2024.2339515","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
“Why shouldn’t I Be Wanted, Even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Death
This article focuses on two postcolonial novels, Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Death, and argues that through the novels’ explorations of sex, both narratives reconst...
期刊介绍：
Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.
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