{"title":"\"我觉得自己是个正常人\"：专业 DJ 在 COVID-19 封锁事件中的经历","authors":"Lee Marshall, Martha Whitfield","doi":"10.1080/03007766.2024.2334136","DOIUrl":null,"url":null,"abstract":"The social restrictions prompted by COVID-19 disproportionately impacted creative industries that rely upon live performance as a main source of revenue, including the (electronic) music industry, ...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"9 1","pages":""},"PeriodicalIF":1.3000,"publicationDate":"2024-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“I Felt Like a Normal Human Being”: Professional DJs’ Experiences of the COVID-19 Lockdowns\",\"authors\":\"Lee Marshall, Martha Whitfield\",\"doi\":\"10.1080/03007766.2024.2334136\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The social restrictions prompted by COVID-19 disproportionately impacted creative industries that rely upon live performance as a main source of revenue, including the (electronic) music industry, ...\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":\"9 1\",\"pages\":\"\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2024-04-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2024.2334136\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2024.2334136","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
“I Felt Like a Normal Human Being”: Professional DJs’ Experiences of the COVID-19 Lockdowns
The social restrictions prompted by COVID-19 disproportionately impacted creative industries that rely upon live performance as a main source of revenue, including the (electronic) music industry, ...
期刊介绍：
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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