{"title":"重新记忆音乐世界：展出曼彻斯特女权运动之城的反叛女性","authors":"Susan O’Shea, Alison Surtees","doi":"10.1080/03007766.2024.2327746","DOIUrl":null,"url":null,"abstract":"This paper addresses a lack of scholarly focus on intersections of memory, gender, and the popular music archive. To challenge the underrepresentation of women, reparative actions must be collabora...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Re-Membering Music Worlds: Exhibiting the Rebel Women of Manchester’s Suffragette City\",\"authors\":\"Susan O’Shea, Alison Surtees\",\"doi\":\"10.1080/03007766.2024.2327746\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper addresses a lack of scholarly focus on intersections of memory, gender, and the popular music archive. To challenge the underrepresentation of women, reparative actions must be collabora...\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2024-04-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2024.2327746\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2024.2327746","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Re-Membering Music Worlds: Exhibiting the Rebel Women of Manchester’s Suffragette City
This paper addresses a lack of scholarly focus on intersections of memory, gender, and the popular music archive. To challenge the underrepresentation of women, reparative actions must be collabora...
期刊介绍：
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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