与你无关：我们还需要 "艺术之声 "吗？

IF 0.5 4区艺术学 0 MUSIC Tempo Pub Date : 2024-04-01 DOI:10.1017/s0040298223000980

Matthew Shlomowitz

{"title":"与你无关：我们还需要 \"艺术之声 \"吗？","authors":"Matthew Shlomowitz","doi":"10.1017/s0040298223000980","DOIUrl":null,"url":null,"abstract":"<p>This article considers the possibility that the emphasis we place on composers developing an artistic voice might be unhelpful for making good pieces. I look at what constitutes an artistic voice and consider pros and cons for having a voice. As an alternative I examine strengths and weaknesses for being a capricious composer, which I define as a willingness to explore different compositional avenues without concern for constructing a consistent body of work. My objective is not to discredit composers who have a strong voice, but rather to loosen the grip of the single-voiced model that dominates the value system of new music.</p>","PeriodicalId":22355,"journal":{"name":"Tempo","volume":"27 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"IT'S NOT ABOUT YOU: DO WE STILL NEED AN ‘ARTISTIC VOICE’?\",\"authors\":\"Matthew Shlomowitz\",\"doi\":\"10.1017/s0040298223000980\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>This article considers the possibility that the emphasis we place on composers developing an artistic voice might be unhelpful for making good pieces. I look at what constitutes an artistic voice and consider pros and cons for having a voice. As an alternative I examine strengths and weaknesses for being a capricious composer, which I define as a willingness to explore different compositional avenues without concern for constructing a consistent body of work. My objective is not to discredit composers who have a strong voice, but rather to loosen the grip of the single-voiced model that dominates the value system of new music.</p>\",\"PeriodicalId\":22355,\"journal\":{\"name\":\"Tempo\",\"volume\":\"27 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Tempo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0040298223000980\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tempo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0040298223000980","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}

引用次数: 0

摘要

本文认为，我们对作曲家发展艺术声音的强调可能无助于创作出好作品。我探讨了什么是艺术之声，并考虑了拥有艺术之声的利弊。作为另一种选择，我研究了任性作曲家的优缺点。我将任性作曲家定义为愿意探索不同的作曲途径，而不注重构建一个连贯的作品体系。我的目的不是要诋毁那些有强烈声音的作曲家，而是要放松主导新音乐价值体系的单一声音模式的控制。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文

微信好友朋友圈 QQ好友复制链接

本刊更多论文

IT'S NOT ABOUT YOU: DO WE STILL NEED AN ‘ARTISTIC VOICE’?

This article considers the possibility that the emphasis we place on composers developing an artistic voice might be unhelpful for making good pieces. I look at what constitutes an artistic voice and consider pros and cons for having a voice. As an alternative I examine strengths and weaknesses for being a capricious composer, which I define as a willingness to explore different compositional avenues without concern for constructing a consistent body of work. My objective is not to discredit composers who have a strong voice, but rather to loosen the grip of the single-voiced model that dominates the value system of new music.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Tempo MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

19 weeks

期刊介绍： Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.

期刊最新文献

‘I AM A TEXTURAL COMPOSER’: JANE STANLEY ON THE CREATIVE PROCESS, IMMERSIVE TEXTURES, GLOW AND A NEW SONG CYCLE THINKING ALOUD: THE SOLILOQUY CYCLE MOVEMENTS OF A MUSICIAN WORKING: PHILL NIBLOCK (1933–2024) PROPORTION AND SYMMETRY AS MUTUAL ANTAGONISTS IN TUNING: SOME QUARTER-TONE RESOURCES HABITUS, RESISTANCE AND THE PRODUCTION OF MUSICAL MEANING