{"title":"后民权时代的摇滚乐、取消种族隔离运动和种族主义:综合努力","authors":"Richard D. Driver","doi":"10.1080/03007766.2024.2344880","DOIUrl":null,"url":null,"abstract":"Published in Popular Music and Society (Ahead of Print, 2024)","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"99 1","pages":""},"PeriodicalIF":1.3000,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An “Integrated Effort”\",\"authors\":\"Richard D. Driver\",\"doi\":\"10.1080/03007766.2024.2344880\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Published in Popular Music and Society (Ahead of Print, 2024)\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":\"99 1\",\"pages\":\"\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2024-04-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2024.2344880\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2024.2344880","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
期刊介绍:
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.