从凝视到反叛艺术史中的女性形象研究

Yan Ma
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摘要

本文讨论了艺术中女性形象的演变,从历史早期的物化人物到现代的赋权主体。最初,女性是通过男性的目光来描绘的,体现理想化的美或履行社会角色。文艺复兴时期,拉斐尔-桑蒂(Raffaello Santi)等艺术家延续了这一趋势,他们注重身体美,却往往忽视现实生活中女性的经历。随后,本文重点介绍了让-弗朗索瓦-米莱的《拾穗者》等作品中表现日常女性的转变,但这些描绘仍与传统的性别规范相呼应。文章的叙述随着挑战这些传统描绘的女艺术家的出现而不断推进。卡特-科尔维茨(Kathe Kollwitz)和西尔维娅-斯莱(Sylvia Sleigh)等人颠覆了男性的注视,使女性成为艺术中的积极主体。论文最后强调了艺术从物化女性到描绘女性自主和有影响力的转变,反映了社会在性别角色和观念上的转变。
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From Gaze to Rebel: A Study of Female Figures in Art History
This paper discusses the evolution of women's portrayal in art, from objectified figures in early history to empowered subjects in modern times. Initially, women were depicted through the male gaze, embodying idealized beauty or fulfilling societal roles. During the Renaissance, this trend continued with artists like Raffaello Santi, who focused on physical beauty but often overlooked real-life women's experiences. The paper then highlights a shift to representing everyday women, as seen in works like Jean Franois Millet's "The Gleaners," yet these portrayals still echoed traditional gender norms. The narrative progresses with the emergence of female artists challenging these conventional depictions. Figures like Kathe Kollwitz and Sylvia Sleigh reversed the male gaze, empowering women as active subjects in art. The paper concludes by emphasizing the transformation in art from objectifying women to portraying them as autonomous and influential, mirroring societal shifts in gender roles and perceptions.
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