{"title":"新音乐剧《海伦","authors":"John C. Franklin","doi":"10.1353/are.2024.a925541","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>This paper discusses compositional methods and interpretive choices behind “new ancient music” for Euripides’ <i>Helen</i>, how it supports or complicates the play’s musical design as previously understood, and how a newly musicalized “choral plot” can affect audience experience, ancient and modern. It is intended to complement performance recordings and scores, materials which, taken together, may help one understand the ancient experience of Greek dramatic music generally, or to evaluate musical effects of this specific play. It may also be useful for restaging <i>Helen</i> with this music, or new compositions of one’s own.</p></p>","PeriodicalId":44750,"journal":{"name":"ARETHUSA","volume":"12 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A New Musical Helen\",\"authors\":\"John C. Franklin\",\"doi\":\"10.1353/are.2024.a925541\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>This paper discusses compositional methods and interpretive choices behind “new ancient music” for Euripides’ <i>Helen</i>, how it supports or complicates the play’s musical design as previously understood, and how a newly musicalized “choral plot” can affect audience experience, ancient and modern. It is intended to complement performance recordings and scores, materials which, taken together, may help one understand the ancient experience of Greek dramatic music generally, or to evaluate musical effects of this specific play. It may also be useful for restaging <i>Helen</i> with this music, or new compositions of one’s own.</p></p>\",\"PeriodicalId\":44750,\"journal\":{\"name\":\"ARETHUSA\",\"volume\":\"12 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-04-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARETHUSA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/are.2024.a925541\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARETHUSA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/are.2024.a925541","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
This paper discusses compositional methods and interpretive choices behind “new ancient music” for Euripides’ Helen, how it supports or complicates the play’s musical design as previously understood, and how a newly musicalized “choral plot” can affect audience experience, ancient and modern. It is intended to complement performance recordings and scores, materials which, taken together, may help one understand the ancient experience of Greek dramatic music generally, or to evaluate musical effects of this specific play. It may also be useful for restaging Helen with this music, or new compositions of one’s own.
期刊介绍：
Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.
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