{"title":"阿纳佩斯特与悲剧情节","authors":"Timothy J. Moore","doi":"10.1353/are.2024.a925537","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>Anapests, consisting always of elements of the same length (one long or two short syllables), are conducive to expressing both steady forward motion and the metaphorical motion that drives a plot to its conclusion. Aeschylus, Sophocles, and Euripides repeatedly take advantage of this association between anapests and steady motion to underline the driving forces of their plots. They call attention to those driving forces through unusual or unexpected use of anapests early in a play, then repeat the anapests in related passages later.</p></p>","PeriodicalId":44750,"journal":{"name":"ARETHUSA","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Anapests and the Tragic Plot\",\"authors\":\"Timothy J. Moore\",\"doi\":\"10.1353/are.2024.a925537\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>Anapests, consisting always of elements of the same length (one long or two short syllables), are conducive to expressing both steady forward motion and the metaphorical motion that drives a plot to its conclusion. Aeschylus, Sophocles, and Euripides repeatedly take advantage of this association between anapests and steady motion to underline the driving forces of their plots. They call attention to those driving forces through unusual or unexpected use of anapests early in a play, then repeat the anapests in related passages later.</p></p>\",\"PeriodicalId\":44750,\"journal\":{\"name\":\"ARETHUSA\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-04-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARETHUSA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/are.2024.a925537\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARETHUSA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/are.2024.a925537","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"CLASSICS","Score":null,"Total":0}
Anapests, consisting always of elements of the same length (one long or two short syllables), are conducive to expressing both steady forward motion and the metaphorical motion that drives a plot to its conclusion. Aeschylus, Sophocles, and Euripides repeatedly take advantage of this association between anapests and steady motion to underline the driving forces of their plots. They call attention to those driving forces through unusual or unexpected use of anapests early in a play, then repeat the anapests in related passages later.
期刊介绍：
Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.
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