香波实践中的路标:共同辨别的方法

IF 0.9 4区 社会学 Q2 CULTURAL STUDIES Cultural Studies-Critical Methodologies Pub Date : 2024-05-11 DOI:10.1177/15327086241247142
Beth Cross, Jennifer Markides
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引用次数: 0

摘要

本文追溯了一种基于地点的方法的发展历程,这种方法有助于对后定性方法的探索。我们在一系列不同的学术工作场所开展了写作/创作/感知活动。这些反思和诗歌讲述了我们逐渐意识到,摒弃剥削性的探索条件,转向以土著智慧为指导的探索条件意味着什么,这不仅仅是一种华丽的辞藻,而是在所有研究阶段和研究阶段之外,日常体现的对土著原则的坚守。我们在此介绍的并不是一套新的技能,而是一种方向性的转变,它将我们的经验、知识和人格的分量凸显出来,并要求我们在世界的呼吸中找到自己的位置和存在感。我们注意到,这种做法改变了从实践中产生的故事的质量和关联性,以及体现知识在其中发挥的作用。最后,我们将对这一实践在不同研究阶段的应用进行反思。
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Way Markers in the Practice of Shambling: A Method for Communal Discernment
This article traces the development of a place-based approach that contributes to exploration of post-qualitative methods. Working with the question, how can our understanding of embodied learning lead to habits of embodied inquiry that shift our relation to what socio-ecological justice means in this time? we embarked on a writing/making/sensing time in a series of different academic workspaces. The reflections and poems recount our developing awareness of what it would mean to turn away from exploitative terms of exploration and toward ones guided by Indigenous wisdom, not just as a rhetorical flourish, but as everyday embodied keeping faith with Indigenous principles through and beyond all research phases. What we present here is not a new set of skills but a shift in orientation that brings the weight of our experiences, knowledges, and personhoods to the fore, and asks us to locate and presence ourselves in and with the breath of the world. We note that this practice shifts the quality and relationality of storying that emerge from the practice and the role embodied knowledge plays within them. We conclude with reflections on the application of this practice to the different phases of research.
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来源期刊
CiteScore
1.40
自引率
16.70%
发文量
55
期刊介绍: The mandate for this interdisciplinary, international journal is to move methods talk in cultural studies to the forefront, into the regions of moral, ethical and political discourse. The commitment to imagine a more democratic society has been sa guiding feature of cultural studies from the very beginnnig. Contributors to this journal understand that the discourses of a critical, moral methodology are basic to any effort to re-engage the promise of the social sciences and the humanities for democracy in the 21st Century. We seek works that connect critical emanicipatory theories to new forms of social justice and democratic practice are encouraged.
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