{"title":"\"大流行后的政治电视和《一天一个样》的终结\"","authors":"Juan Llamas-Rodriguez","doi":"10.1177/15274764241251745","DOIUrl":null,"url":null,"abstract":"This article analyzes “The Politics Episode” of One Day at a Time, an animated very special episode produced and aired during the onset of the COVID-19 pandemic. I focus on two aspects that prompt broader considerations about the role of scripted television in responding to pressing social issues. First, I demonstrate how the episode’s narrative structure appeals to democratic deliberation as an idealized form of conflict resolution. Second, I consider how its production and airing timeline responded to—and failed to account for—the current events its narrative attempted to incorporate. Although the disjuncture between these two elements demonstrate the pitfalls for fictional television to address social issues in a time of constant crisis, I conclude by proposing that these “failures” can also serve to illustrate a specific “post-pandemic” structure-of-feeling, one where futures are perpetually deferred and where dealing with new social realities requires constant speculative iterations.","PeriodicalId":51551,"journal":{"name":"Television & New Media","volume":"47 1","pages":""},"PeriodicalIF":2.4000,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Post-Pandemic Political Television and the End of One Day at a Time”\",\"authors\":\"Juan Llamas-Rodriguez\",\"doi\":\"10.1177/15274764241251745\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article analyzes “The Politics Episode” of One Day at a Time, an animated very special episode produced and aired during the onset of the COVID-19 pandemic. I focus on two aspects that prompt broader considerations about the role of scripted television in responding to pressing social issues. First, I demonstrate how the episode’s narrative structure appeals to democratic deliberation as an idealized form of conflict resolution. Second, I consider how its production and airing timeline responded to—and failed to account for—the current events its narrative attempted to incorporate. Although the disjuncture between these two elements demonstrate the pitfalls for fictional television to address social issues in a time of constant crisis, I conclude by proposing that these “failures” can also serve to illustrate a specific “post-pandemic” structure-of-feeling, one where futures are perpetually deferred and where dealing with new social realities requires constant speculative iterations.\",\"PeriodicalId\":51551,\"journal\":{\"name\":\"Television & New Media\",\"volume\":\"47 1\",\"pages\":\"\"},\"PeriodicalIF\":2.4000,\"publicationDate\":\"2024-05-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Television & New Media\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/15274764241251745\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Television & New Media","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/15274764241251745","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
“Post-Pandemic Political Television and the End of One Day at a Time”
This article analyzes “The Politics Episode” of One Day at a Time, an animated very special episode produced and aired during the onset of the COVID-19 pandemic. I focus on two aspects that prompt broader considerations about the role of scripted television in responding to pressing social issues. First, I demonstrate how the episode’s narrative structure appeals to democratic deliberation as an idealized form of conflict resolution. Second, I consider how its production and airing timeline responded to—and failed to account for—the current events its narrative attempted to incorporate. Although the disjuncture between these two elements demonstrate the pitfalls for fictional television to address social issues in a time of constant crisis, I conclude by proposing that these “failures” can also serve to illustrate a specific “post-pandemic” structure-of-feeling, one where futures are perpetually deferred and where dealing with new social realities requires constant speculative iterations.
期刊介绍:
Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.