超越美学:咏物诗与诗歌对艺术的参与

Hossein Zamani Alavijeh
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摘要

本研究将 "ekphrasis "视为一种促进人们更深刻、更有意义地了解艺术作品奥秘的渠道,以及一种超越既定美学概念、打破传统主客二分法、抵制无处不在的技术对我们世界的框框化,以及培养一种以诗意本质为特征的居住模式的手段。本研究旨在证明,通过将语言与视觉表现交织在一起,"咏物诗 "挑战了我们对美的本质的假设,邀请我们超越事物的表象,为我们的理解和阐释开辟了新的可能性。这项研究以马丁-海德格尔的哲学框架为基础,揭示了 "ekphrasis "在打破惯常感知模式方面的强大作用,迫使我们重新考虑与艺术的关系,这种关系与真实性、身临其境的参与和诗意的栖居模式相一致,以培养对世界更深的嵌入感,并在我们与相互关联的实体相遇时培养一种惊奇感和欣赏感。
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Beyond Aesthetics: Ekphrasis and the Poetic Engagement with Art
The present study examines ekphrasis as a conduit for facilitating a more profound and meaningful engagement with the mysteries of the works of art and as a means of transcending established notions of aesthetics, dismantling the conventional subject/object dichotomy, resisting the pervasive technological enframing of our world, and fostering a mode of dwelling characterized by its poetic essence. The study aims to demonstrate that by intertwining language and visual representation, ekphrasis challenges our assumptions regarding the nature of beauty, invites us to see beyond the surface of things and opens us new possibilities for understanding and interpretation. Anchored in the philosophical framework of Martin Heidegger, the investigation illuminates the potent role of ekphrasis in disrupting customary modes of perception, compelling a reconsideration of our engagement with art in a manner that aligns with authenticity, immersive involvement and poetic mode of dwelling to cultivate a deeper embeddedness in the world and to foster a sense of wonder and appreciation in our encounter with the interconnectedness of entities.
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