拉奥的《女孩燃烧得更亮》中主要女性角色受到的压迫

Wilma Afrilia Rizky
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摘要

社会中的男尊女卑观念造成了压迫妇女的重大问题。此外,文学作品通过描写这些问题来提高人们的认识,因为文学作品作为解决压迫妇女问题的手段之一具有重要作用。Shobha Rao 的小说《Girls Burn Brighter》是一部强调妇女受压迫问题的女性主义文学作品。本研究旨在探讨小说中通过文学手段揭示的主要女性角色所遭受的压迫。本研究采用了社会学方法,因为小说提出了女性受压迫的社会现象,并通过女性主义文学批评的视角对这一现象进行了研究。研究者运用 Iris Young 的压迫理论来探讨压迫的形式,并运用 Kimberly Crenshaw 的交叉性理论来探究主要女性角色所经历的压迫因素。研究结果发现,女性主角波妮玛和萨维塔所经历的压迫形式包括边缘化、剥削、无能为力、文化帝国主义和暴力。她们的受压迫经历表现为工作机会的边缘化、性剥削和劳动剥削、无权发声、嫁妆制度的文化帝国主义以及身体暴力和性暴力。这些压迫形式受到性别、社会阶层、政治权力、肤色和主流文化等交叉因素的影响。关键词:压迫、交叉性、女权主义文学批评
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Oppression Towards Main Female Characters in Rao’s Girls Burn Brighter
The perception of the women's inferiority in society has created significant issues in the form of oppression of women. Furthermore, literary works portrayed these issues to raise awareness because it has an important role as one of the means to address the issue of oppression against women. Shobha Rao's novel Girls Burn Brighter is a feminist literary work that highlights the oppression of women. This study aims to examine the oppression of main female characters as revealed in the novel through literary devices. This study used a sociological approach since the novel raise the social phenomena of female oppression which is examined through the perspective of feminist literary criticism. The researcher applies Iris Young's theory of oppression to explore the forms of oppression and Kimberly Crenshaw's theory of intersectionality to look out the factors of oppression experienced by main female characters. The results of this study found that the main female characters, namely Poornima and Savitha, experience oppression in the form of marginalization, exploitation, powerlessness, cultural imperialism, and violence. Their experiences of oppression manifest in the form of marginalization of job opportunity, sexual and labor exploitation, powerlessness to speak up, cultural imperialism of the dowry system, and physical and sexual violence. These forms of oppression are influenced by intersecting factors such as gender, social class, political power, skin color, and dominant culture. Keywords: oppression, intersectionality, feminist literary criticism
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