{"title":"我们看到的不是事物的本质，而是我们的本质","authors":"Joep C. de Jong","doi":"10.12781/978-1-907549-59-5-4","DOIUrl":null,"url":null,"abstract":"Creating film portraits for a Ph.D. on Appreciative Leadership, mentored by Nic Askew, has become both an art and a business Joep de Jong cherishes. He says, ‘crafting these portraits became an art and passion’. Holding unconditional space fosters profound connections. Editing, though laborious, offers deep self-discovery. Three poignant portraits emerged, each a testament to serendipity and profound human connection.","PeriodicalId":298552,"journal":{"name":"AI Practitioner","volume":"4 11","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"We Do Not See Things as They Are, But Rather as We Are\",\"authors\":\"Joep C. de Jong\",\"doi\":\"10.12781/978-1-907549-59-5-4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Creating film portraits for a Ph.D. on Appreciative Leadership, mentored by Nic Askew, has become both an art and a business Joep de Jong cherishes. He says, ‘crafting these portraits became an art and passion’. Holding unconditional space fosters profound connections. Editing, though laborious, offers deep self-discovery. Three poignant portraits emerged, each a testament to serendipity and profound human connection.\",\"PeriodicalId\":298552,\"journal\":{\"name\":\"AI Practitioner\",\"volume\":\"4 11\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AI Practitioner\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12781/978-1-907549-59-5-4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AI Practitioner","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12781/978-1-907549-59-5-4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在妮可-阿斯克（Nic Askew）的指导下，乔普-德-容（Joep de Jong）为 "赏识型领导 "博士学位创作电影肖像，这既是一门艺术，也是他珍视的事业。他说，"制作这些肖像成为一种艺术和激情"。保持无条件的空间可以促进深刻的联系。编辑工作虽然辛苦，却能带来深刻的自我发现。三幅凄美的肖像画诞生了，每一幅都见证了偶然性和深刻的人际关系。
We Do Not See Things as They Are, But Rather as We Are
Creating film portraits for a Ph.D. on Appreciative Leadership, mentored by Nic Askew, has become both an art and a business Joep de Jong cherishes. He says, ‘crafting these portraits became an art and passion’. Holding unconditional space fosters profound connections. Editing, though laborious, offers deep self-discovery. Three poignant portraits emerged, each a testament to serendipity and profound human connection.
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