{"title":"伊壁鸠鲁和大胡子女圣徒","authors":"Brett Greatley-Hirsch","doi":"10.3366/bjj.2024.0363","DOIUrl":null,"url":null,"abstract":"This article identifies a hitherto unnoticed reference to Saint Uncumber, a bearded woman martyr, in Ben Jonson's Epicene. Saint Uncumber was venerated and polemicised in England through to the seventeenth century, with her memory – and several images – persisting long after the Protestant Reformations. This article suggests that Jonson invokes Saint Uncumber as an archetype for the play's miraculous disruption of gender and frustrated marriage.","PeriodicalId":0,"journal":{"name":"","volume":"37 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Epicene and the Bearded Woman Saint\",\"authors\":\"Brett Greatley-Hirsch\",\"doi\":\"10.3366/bjj.2024.0363\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article identifies a hitherto unnoticed reference to Saint Uncumber, a bearded woman martyr, in Ben Jonson's Epicene. Saint Uncumber was venerated and polemicised in England through to the seventeenth century, with her memory – and several images – persisting long after the Protestant Reformations. This article suggests that Jonson invokes Saint Uncumber as an archetype for the play's miraculous disruption of gender and frustrated marriage.\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":\"37 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0,\"publicationDate\":\"2024-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/bjj.2024.0363\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/bjj.2024.0363","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文指出了本-琼森的《史诗》中一处迄今未被注意到的关于大胡子女殉道者 Saint Uncumber 的记载。直到 17 世纪,英国人一直对圣人安康伯(Saint Uncumber)怀有崇敬之情,并对其进行了论战,在新教改革之后,人们对她的记忆--以及她的一些形象--一直延续了很长时间。这篇文章认为,琼森引用圣人安康伯作为该剧中神奇地破坏性别和受挫婚姻的原型。
This article identifies a hitherto unnoticed reference to Saint Uncumber, a bearded woman martyr, in Ben Jonson's Epicene. Saint Uncumber was venerated and polemicised in England through to the seventeenth century, with her memory – and several images – persisting long after the Protestant Reformations. This article suggests that Jonson invokes Saint Uncumber as an archetype for the play's miraculous disruption of gender and frustrated marriage.