{"title":"哈莱姆，苏联：苏联的黑人现代主义，1923-1937 年","authors":"Fedor Karmanov","doi":"10.1093/alh/ajae038","DOIUrl":null,"url":null,"abstract":"\n in translating the writing of Hughes and McKay, among others, Soviet intelligentsia conceived of Black poetry as an example of “socialist modernism”—a revolutionary poetry that made no compromises between aesthetic and political radicalism.","PeriodicalId":0,"journal":{"name":"","volume":"26 7‐8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Harlem, USSR: Black Modernism in the Soviet Union, 1923–1937\",\"authors\":\"Fedor Karmanov\",\"doi\":\"10.1093/alh/ajae038\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n in translating the writing of Hughes and McKay, among others, Soviet intelligentsia conceived of Black poetry as an example of “socialist modernism”—a revolutionary poetry that made no compromises between aesthetic and political radicalism.\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":\"26 7‐8\",\"pages\":\"\"},\"PeriodicalIF\":0.0,\"publicationDate\":\"2024-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/alh/ajae038\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/alh/ajae038","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Harlem, USSR: Black Modernism in the Soviet Union, 1923–1937
in translating the writing of Hughes and McKay, among others, Soviet intelligentsia conceived of Black poetry as an example of “socialist modernism”—a revolutionary poetry that made no compromises between aesthetic and political radicalism.
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