{"title":"里尔克的形象与寓言诗学:以玫瑰为例","authors":"Janet Hong","doi":"10.1353/gsr.2024.a927857","DOIUrl":null,"url":null,"abstract":"ABSTRACT: The rose motif in Rainer Maria Rilke’s poetry has been analyzed as a variable signifier through metaphorical, existential-philosophical, phenomenological, and even biographical approaches. However, many of these readings miss its self- referential nature. By contrast, based on Manfred Engel’s interpretive framework, deconstructive approaches, and working from two “thing-poems,” this article suggests that the rose can be read as an allegory for Rilke’s poetic text itself, and is an example of a figure to be found in his poetics of figure. Meanwhile, the rose is identified as an important key showing Rilke’s poetic development.","PeriodicalId":43954,"journal":{"name":"German Studies Review","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Poetik der Figur Rilkes und das Allegorische: Am Beispiel der Rose\",\"authors\":\"Janet Hong\",\"doi\":\"10.1353/gsr.2024.a927857\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT: The rose motif in Rainer Maria Rilke’s poetry has been analyzed as a variable signifier through metaphorical, existential-philosophical, phenomenological, and even biographical approaches. However, many of these readings miss its self- referential nature. By contrast, based on Manfred Engel’s interpretive framework, deconstructive approaches, and working from two “thing-poems,” this article suggests that the rose can be read as an allegory for Rilke’s poetic text itself, and is an example of a figure to be found in his poetics of figure. Meanwhile, the rose is identified as an important key showing Rilke’s poetic development.\",\"PeriodicalId\":43954,\"journal\":{\"name\":\"German Studies Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"German Studies Review\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1353/gsr.2024.a927857\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"German Studies Review","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1353/gsr.2024.a927857","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"AREA STUDIES","Score":null,"Total":0}
Poetik der Figur Rilkes und das Allegorische: Am Beispiel der Rose
ABSTRACT: The rose motif in Rainer Maria Rilke’s poetry has been analyzed as a variable signifier through metaphorical, existential-philosophical, phenomenological, and even biographical approaches. However, many of these readings miss its self- referential nature. By contrast, based on Manfred Engel’s interpretive framework, deconstructive approaches, and working from two “thing-poems,” this article suggests that the rose can be read as an allegory for Rilke’s poetic text itself, and is an example of a figure to be found in his poetics of figure. Meanwhile, the rose is identified as an important key showing Rilke’s poetic development.