{"title":"远程艺术与美学：导论","authors":"Ancuta Mortu, Jakub Stejskal, M. Windsor","doi":"10.1093/aesthj/ayae015","DOIUrl":null,"url":null,"abstract":"\n This introduction to the special issue of the British Journal of Aesthetics, ‘Remote Art: Engaging with Art from Remote Times and Places’, presents the notion of art’s remoteness in the context of debates about inter-cultural diversity. It discusses the various aspects of remoteness, how it figures in the individual contributions to the issue, and suggests possible avenues for future scholarship.","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2024-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Remote art and aesthetics: An introduction\",\"authors\":\"Ancuta Mortu, Jakub Stejskal, M. Windsor\",\"doi\":\"10.1093/aesthj/ayae015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This introduction to the special issue of the British Journal of Aesthetics, ‘Remote Art: Engaging with Art from Remote Times and Places’, presents the notion of art’s remoteness in the context of debates about inter-cultural diversity. It discusses the various aspects of remoteness, how it figures in the individual contributions to the issue, and suggests possible avenues for future scholarship.\",\"PeriodicalId\":46609,\"journal\":{\"name\":\"BRITISH JOURNAL OF AESTHETICS\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-05-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BRITISH JOURNAL OF AESTHETICS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/aesthj/ayae015\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BRITISH JOURNAL OF AESTHETICS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/aesthj/ayae015","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
This introduction to the special issue of the British Journal of Aesthetics, ‘Remote Art: Engaging with Art from Remote Times and Places’, presents the notion of art’s remoteness in the context of debates about inter-cultural diversity. It discusses the various aspects of remoteness, how it figures in the individual contributions to the issue, and suggests possible avenues for future scholarship.
期刊介绍：
Founded in 1960, the British Journal of Aesthetics is highly regarded as an international forum for debate in philosophical aesthetics and the philosophy of art. The Journal is published to promote the study and discussion of philosophical questions about aesthetic experience and the arts. Appearing quarterly - in January, April, July, and October - it publishes lively and thoughtful articles on a broad range of topics from the nature of aesthetic judgement and the principles of art criticism to foundational issues concerning the visual arts, literature, music, dance, film, and architecture.
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