巴东州立大学艺术活动室的米南卡保传统舞蹈知识转让

YASIN Pub Date : 2024-05-17 DOI:10.58578/yasin.v4i3.2998
Nakita Inge Gilliani, Gustina Erlianti
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引用次数: 0

摘要

本研究旨在利用 Liyanage 等人(2009 年)的知识转移模型,描述巴东州立大学艺术活动部如何开展米南卡保传统舞蹈知识转移活动。本研究采用人种学方法进行定性研究。本研究采用滚雪球抽样法确定信息提供者。数据收集采用访谈和文献资料法。通过三角测量来源进行数据验证,并通过数据还原、数据展示和结论得出进行分析。研究结果表明(1)UKKES UNP 的波浪舞和平板舞创作的知识认知产生于他们认为之前的作品时间太长,所以有必要在 10 多年前的上一部作品之后制作一部新的舞蹈作品;(2)知识获取是通过选拔先进成员来进行的,然后指派他们欣赏 UKKES 以外的其他作品,以拓宽成员的见识;(3)知识转化,他们之前看到并记录的新的见识,经过两个领域的讨论,开始由编舞制作新的动作,由作曲家制作新的音乐;(4)在工作过程中应用知识关联,通过成员之间约 3 个月的排练来实现,并在排练后进行评估,对已制作的动作和音乐进行增减;以及(5)知识应用阶段,即作品已完成,并于 2023 年 9 月 30 日在 Gesika 12 首次演出,并在校内外的其他活动中继续演出。
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Transfer Pengetahuan Tari Tradisional Minangkabau di Unit Kegiatan Kesenian Universitas Negeri Padang
This research aims to describe how Minangkabau traditional dance knowledge transfer activities in the Arts Activity Unit of Padang State University using the knowledge transfer model of Liyanage et al. (2009). This research is a qualitative research with ethnographic method. The determination of informants in this study was carried out by snowball sampling method. Data collection was conducted using interviews and documentation. Data validation was done by triangulating sources and analysed through data reduction, data presentation, and conclusion drawing. The results of this study indicate that: (1) knowledge awareness of the creation of wave dance and plate dance at UKKES UNP arose because they considered that the previous work had been too long, so it was necessary to make a new dance work, after the last work more than 10 years ago; (2) knowledge acquisition is carried out by selecting advanced members who are then assigned to appreciate other works outside UKKES to broaden the members' insights; (3) knowledge transformation, the new insights they saw and recorded before, were discussed by both fields to start making new movements by the choreographer and new music by the composer; (4) knowledge associations that are applied during the work is realised through rehearsals between members for approximately 3 months, accompanied by evaluations after rehearsals to add or subtract both movements and music that have been made; and (5) knowledge application is the stage where the work has been completed and performed for the first time at Gesika 12 on 30th September 2023, and continues to be performed at other events both on campus and off campus.
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